Paul Thomas Anderson

10 Filmmaking Lessons From Paul Thomas Anderson

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It probably says something about Paul Thomas Anderson that the first film clip he selected to screen at an event titled “On Cinema” was pulled from a television show. The sold-out chat, part of the New York Film Festival (and of the Film Society of Lincoln Center’s ongoing “Directors Dialogue” series) was an amiable and enjoyable hybrid of master class, Inherent Vice promotion, and self-professed “nerd talk”; over the course of the 90-minute conversation with the Film Society’s Kent Jones, Anderson showed clips from not only movies that inspired him, but television and music videos as well. In doing so, he imparted some of his filmmaking philosophy, which we’ve helpfully compiled here for your easy digestion.
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Paul Thomas Anderson’s ‘Inherent Vice’ Is a Breezy, Bizarre Blast

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Paul Thomas Anderson took five years to make his 2007 oil epic There Will Be Blood. He took another five years to make 2012’s Scientology-inspired The Master. He banged out his adaptation of Thomas Pynchon’s Inherent Vice in two, and you can feel the difference—in the best possible way. The two films that preceded it marked the filmmaker’s transition from wunderkind to Serious Artist; by turns wrenching, challenging, and borderline impenetrable, they plunged the depths of American history and the American soul. Vice, by contrast, is a slang-y, breezy lark, a picture whose two-and-a-half-hour running time, Oscar-friendly release date, and premiere as the Centerpiece selection at the New York Film Festival make it sound like a more important movie than it is—or, more importantly, than Anderson seems to think it is. After a decade spent making two films that are like pressure cookers, he was clearly ready to blow off some steam.
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The Stories Behind 10 Iconic Movie Scenes

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Sixty years ago today, Marilyn Monroe stepped on a subway grate and made movie history. She was shooting a film called The Seven-Year Itch in New York City, and the image of her on the grate, the train passing underneath blowing up her skirt, would become one of the most iconic in all of cinema. To commemorate that magic movie moment, we’ve gathered behind-the-scenes tales of that and nine other classic movie scenes. (We didn’t include Raiders. Harrison Ford shot the guy with the sword instead of fighting him because he had the trots. We’re assuming you knew that one.)
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25 Must-See Movies For the Fall

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Hey there reader, been to the movies lately? If the box office reports are any indication, I’m guessing not — and who can blame you? We’re currently in the weird dead zone between the tentpole blockbusters of the summer and the prestige, Oscar-friendly pictures (and, increasingly, tentpole blockbusters) of the fall. But relief will be here soon enough, so in the interest of helping you mark up your movie-going calendar, we’re looking ahead to the fall films we’re anticipating most.
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Films You Didn’t Realize Were Based on Newspaper and Magazine Articles

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Hollywood has had a long-term romance with literature. Big-screen adaptations of novels (and, yes, comic books) are at an all-time high, but cinema has frequently looked to the school of journalism for its source material. This weekend marks the 38th publication anniversary of New York Magazine’s “The Tribal Rites of the New Saturday Night” by Nik Cohn, which led to the creation of the wildly popular 1977 film Saturday Night Fever, starring John Travolta. The movie helped make disco a global sensation and sported one of the best-selling soundtrack albums of all time. But there’s more to Cohn’s story — and these other newspaper and magazine articles that inspired films. See what stories, true and fiction, informed some cinema’s biggest hits — many you probably didn’t realize actually started life between the pages.
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