This week marks the release of Anita Desai’s newest book, The Artist of Disappearance, a set of three beautiful novellas revolving around the shifting tides of Indian culture in past and present. We love Desai’s work, and we know critics love her too — but we noticed that, somehow, she is continually overlooked when it comes to major prizes. Always the bridesmaid and never the bride, as it were, she has been shortlisted three times for the Booker Prize without yet snapping up a win. Perplexed, we decided to take a look at other authors who have been robbed of prizes that we (and often, hordes of fans) think should be rightfully theirs. Click through to read our list of critically acclaimed authors who never win prizes — or never win that one particular prize — and let us know who else you think has been totally shafted in the comments. Read More »
It’s a well-known fact that authors, for all their brilliance, can be less than visionary when it comes to coming up with titles. We understand — so much goes into the perfect title, both from an artistic and a commercial point of view, and when you’re so close to the work at hand, we can imagine how it could be a little challenging to see the issue from all angles. But even if a writer is particularly talented at title-penning, the names of books can go through as many permutations as the text itself before they see the light of day. Plus, for good or ill, writers have husbands, wives, publishers and others to weigh in, causing even more changes. Lovers of book trivia, read on: after the jump you’ll find our list of what some classic works were almost called. Check it out and let us know whether you think the changes were for the better or the worse in the comments. Read More »
Within literature’s greatest books lives another library of books, unpublished and unwritten, nested in other books, imagined by their authors and materialized only in the imaginations of their readers — a painfully vast body of potentially brilliant work that we’ll never get to hold in our hands. That’s not to say that every meta-book is a must-read; take for example The Dictionary of the Finnish Language by Caprinulge, which features in Aldous Huxley’s Chrome Yellow – completely unreal and yet completely not something we’d choose to leaf through. Similarly, the white-supremacist The Rise of the Colored Empires by Goddard, thought up by Fitzgerald in The Great Gatsby is not all that high on our wish list. But then there are titles that, wholly made up, sound like they might be even more captivating than the books they live in. And it’s those that we never stop hoping will one day be in print. After the jump, peruse 16 titles we’d add to our bookshelves, if only we could.
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Today marks the release of Jeffrey Eugenides’s third novel, The Marriage Plot, a modern take on Victorian matchmaking novels and the women who love them. We adored the book, and all its protagonist’s Jane Austen talk, coupled with her own love triangle, got us to thinking about pulling an Emma and trying a little literary matchmaking of our own. We’ve already taken a stab at guessing which literary characters would be best friends in real life, but of course, when love is involved, the stakes are a little higher. Click through to check out the literary characters we think would totally fall for each other if they met in real life, and let us know your own ideas for star-crossed lovers in the comments.
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We hate to be the ones to say it, but the end of the summer romance is nigh, dear readers. As August becomes September, a noticeable chill lingers in the air; the cold creeps in slowly, hardening hearts and delivering sang-froid to young and old alike. In preparation, we suggest you arm yourselves with our modest arsenal of literary quotes that can be administered whenever you feel the time is right. Good luck, and let us know in the comments section what quotes have helped you get through a difficult breakup.
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BookLamp.org is a new website that is similar to Pandora — it creates algorithms and breaks down your book preferences by main themes. For instance, if you liked White Teeth, then Booklamp discerns that you’re into: Culture, Life/Death/Spirituality, Extended Families, Explicit Language, and “Elements of Time.” This results in some odd recommendations, such as The Cestus Deception (Star Wars: Clone Wars) by Steven Barnes. (Really? Because we are just never going to be in to that.) However, another suggestion was The Pregnant Widow by Martin Amis, which makes some sense. So click through and see what hilarious, interesting, and arguably accurate choices we found on our trip through the site.
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If you’ve ever wondered what your favorite literary characters might be listening to while they save the world/contemplate existence/get into trouble, or hallucinated a soundtrack to go along with your favorite novels, well, us too. But wonder no more! Here, we sneak a look at the hypothetical iPods of some of literature’s most interesting characters. What would be on the personal playlists of Holden Caulfield or Elizabeth Bennett, Huck Finn or Harry Potter, Tintin or Humbert Humbert? Something revealing, we bet. Or at least something danceable. Read on for a cozy reading soundtrack, character study, or yet another way to emulate your favorite literary hero. This week: Philip Roth’s lusty bachelor, Alexander Portnoy.
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We live in a culture where we’re supposed to all like each other, at least on Facebook. But what happens when our authors write unlikeable characters? Some of the protagonists below are beyond unlikeable — they are murderers, molesters, and unrepentant abusers — the Raskolnikovs of contemporary literature (with one throwback included in the list). How are we supposed to relate to someone who does reprehensible things and rarely looks back? Do we read on, or do we throw the book against the wall in exasperation? We wrote about morally questionable authors last week, but think it’s time to examine the voice and actions of main characters this time around, because it can be difficult to get through a novel when you can’t stand the person you’re reading about.
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New Jersey’s finest lust-ridden, humorous, hang-wringingly anxious (read: Jewish) novelist, Philip Milton Roth, won the Man Booker International Prize today. The verdict was announced in Sydney, Australia, during the Writers’ Festival. Roth will receive £60,000 and an obscene amount of praise for his work, although one judge was so strongly against the decision she quit. In a previous interview, Carmen Callil said, “He goes on and on and on about the same subject in almost every single book. It’s as though he’s sitting on your face and you can’t breathe.” Despite her protestations, Roth will officially accept the prize in London next month.
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A list of 13 authors from 8 different countries who were nominated for the Man Booker International Prize — which is awarded “to a living author for a body of work that has contributed to an achievement in fiction on the world stage” — was released yesterday. The winner will receive an award of £60,000 (approximately $85,000) as well as the ability to refer to him or herself in the third person as a “notable” author. Next month, the MBIP panel will winnow it down to a single winner, who will be announced at the Sydney Writers’ Festival, with an awards ceremony taking place on June 28th in London. Since the prize is awarded every two years, the last prize winner was the unflappable short story writer Alice Munro in 2009.
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