Say what you will about its other flaws — and there’s plenty to say — but Guillermo del Toro’s Pacific Rim (out today in wide release) delivers what it promises: giant goddamn robots fighting giant monsters in the ocean. Gazing upon the magnificence of the film’s enormous machines, it’s easy to marvel at how far moviemakers have come in their onscreen portrayals of mechanical beings. A brief history: … Read More
Pixar’s charming and sweet Monsters University hits theaters today, and while its primary subject matter is the scare-propelled world of monsters and magic doorways laid out in 2001’s Monsters Inc., it also falls easily into the long and distinguished tradition of college movies (including several direct shout-outs to Animal House). In acknowledgment of this tradition, and as a handy summer viewing guide for those of you entering (or returning to) the collegiate world come fall, Flavorwire presents a detailed syllabus of movies about college, a step-by-step and course-by-course rundown that enables you to have the college experience without actually going to… Read More
It’s the first weekend in May, so you know what that means: there’s a new Marvel movie in theaters, and the summer movie season has officially begun. It’s a tricky minefield to navigate, rife with sequels and reboots and sequels and adaptations and sequels, but Flavorwire is here to help: our summer movie guide takes you through the entire season, month by month, spotlighting the films that might be worth seeing (Might! Maybe! No promises!) and delicately averting your eyes from the certain dogs. Take a deep breath and put on your 3D glasses; here we… Read More
Iron Man 3 is out in theaters tomorrow, and it should come as no surprise that those who are willing to sit through the end credits — and seriously, they run something like ten minutes and include more names than a small-town phone book — will be rewarded with an extra (and very funny) bonus scene. Some call these little bonuses “credit cookies,” others call them “stingers.” In Roger Ebert’s Little Movie Glossary, Serdor Yegulalp dubs them the “Monk’s Reward,” defined thus: “A surprising final line or image, tagged on after the credits have finished rolling… so named because it usually takes monk-like devotion to sit through the credits to get to it.” The previous Marvel movies made a regular habit of including credit cookies, mostly as preparation for The Avengers, but they’re not the only movies to throw in a little something extra for those who stick around to find out who the unit accountant was. (Warning: minor spoilers ahead, but all for movies that have been out for a year or more.) … Read More
Plenty of people grumble about trailers not delivering the movie they promise, but only one man — New Zealander J. Congdon — got Paramount Pictures to refund the cost of his Jack Reacher ticket, because the movie didn’t include the badass cliff explosion that got him to spend money on a Tom Cruise movie in the first place. In fairness to Paramount, this kind of thing happens all the time; trailers are often cut months before the picture itself is finalized, leading to all sorts of shots, jokes, and scenes that don’t show up in the finished product. It’s all part of the tricky world of film advertising, where the goal is to lure you into the theater, and not necessarily to reflect the tone, story, or (certainly) quality of the film in question. Trailer cutting is kind of an art form unto itself, which is why we so often see trailers that get us all in a tizzy, only to wander out of the movie they’re selling in a befuddled and disappointed stupor. After the jump, we look back at ten movies that were far better in two-minute form. … Read More
As you may or may not have noticed, your Flavorwire didn’t bother covering this week’s maddening, seemingly frame-by-frame unveiling of the trailer for The Wolverine, a movie we’re not all that worked up over to begin with (seriously, didn’t we already do that once?). It was bad enough when we started getting 30-second teasers for movie trailers — an item that is, when you break it down, a commercial for a commercial. But Wolverine director James Mangold went a step further, first putting out a six-second Vine “tweaser” (yep, that’s what he called it), then the teaser, then the trailer, meaning that the Vine was a commercial for a commercial for a commercial and good God make it all stop please. But one good thing did come out of it: trailer editing house Tokyo got the nutty idea of recutting the trailers for eight modern classics into six-second form and posting them on Vine. The results are oddly captivating; check them out after the jump. … Read More
We’re big fans of Mondo, the art division of the Alamo Drafthouse that creates limited edition posters honoring classic and contemporary films. They’ve also got a few vinyl movie soundtracks and VHS re-releases up their sleeves (and they sell tees). Mondo’s latest offering is a collection of posters tied to nominated movies in select Oscar categories. The Austin-based gallery was kind enough to give us a preview of some of the artworks, which we’ve featured in our gallery. Several regular Mondo contributors like Olly Moss, Tyler Stout, and Jay Ryan wooed us with their versions of Django Unchained, Moonrise Kingdom, Best Picture winner Argo, and more. Check out these beautiful posters, and then head to Mondo’s Twitter feed for purchase details. … Read More
Marvel, DC, and Pixar are three of the most titanic forces in entertainment, each with its own set of iconic characters and distinct aesthetic — that is, until now. Phil Postma, who runs the geek blog Minion Factory, has transposed Marvel and DC’s cast of superheroes and supervillains into Pixar’s instantly recognizable animation style. The result is a bizarro world where Peter Parker looks like the guy from Ratatouille and Magneto could have come straight out of The Incredibles. Postma has done similar work with the casts of Star Wars and Star Trek, but the comic-Pixar mashup is his most seamless yet. Take a look at the makeovers, which we discovered via io9, below.