Well, there’s going to be a new Alien movie, and for some reason, this is good news. Word broke yesterday that Neill Blomkamp, writer/director of District 9 and the forthcoming Chappie, closed a deal with 20th Century Fox to helm a new film in the sci-fi/monster franchise, and everyone is very excited, somehow ignoring the fact that Ridley Scott’s 1979 original has yielded exactly one good sequel (James Cameron’s Aliens) and no fewer than five more that are varying degrees of terrible (Alien 3, Alien: Resurrection, Alien vs. Predator, Alien vs. Predator: Requiem, and Scott’s own Prometheus). That’s a 16 percent sequel success rate, kids, so let’s maybe keep it in our pants for a minute — particularly as Variety is reporting that the Blomkamp Alien is “separate from Prometheus 2, which Fox is still making with Ridley Scott.” Oh, cool, so they’re making like a whole Alien Cinematic Universe, awesome idea, A-plus you guys. But here’s the more pressing issue: in this era of mega budgets and limitless effects possibilities, why has science fiction fallen so specifically prey to the endless sequel-remake-reboot machine? Where are the new sci-fi franchises?
Earlier this week, we told you about Xavier Macafee, the New Mexico man who was arrested on suspicion of burglary after allegedly breaking into Bryan Cranston’s car and stealing, among other things, the script to one of Breaking Bad’s final episodes. While we still don’t know if it was a coincidental act or the work of a brilliant BB superfan, this isn’t the first time a swiped script has created havoc in Hollywood. Here are ten tales of leaked screenplays, and what happened to the films …Read More