Last week, we had a good laugh at the recently uncovered notes from the producers of Blade Runner, who seemed united in their hatred for the “deadly dull” sci-fi noir that would prove one of the most influential movies of the ‘80s. But it’s important to remember that some of those casually involved in the production actually liked it quite a bit — particularly Philip K. Dick, whose book Do Androids Dream of Electric Sheep? was the basis of Ridley Scott’s film. And while there’s a long (and enjoyable) history of authors loathing what Hollywood does to their books, there are a few examples of writers who are utterly delighted with their page-to-film adaptations. We’ve collected them for you after the jump. … Read More
Quentin Tarantino
Killer Italian Artwork Inspired by Great American Movies
Italian illustrator and cartoonist Massimo Carnevale has been capturing attention on film blogs all over the world for his beautiful and inventive artwork inspired by scenes from American movies; he makes striking use of color and repurposed iconography, creating works that are both recognizably his and true to the spirit of the films that inspired them. After the jump, join us for a quick stroll past some of our favorites by this prolific artist. … Read More
Tarantino Films as Penguin-style Book Covers
If you’ve spent any amount of time here, you know we love two things: books and book cover art (even embarrassingly bad designs). We’re also fans of Quentin Tarantino’s films, which is why these Penguin-style book covers by London artist Sharm Murugiah caught our attention on Neatorama. The bold artworks reimagine the hyper director’s movies for the bookish crowd. Pulp Fiction, Reservoir Dogs, and the filmmaker’s latest movie, Django Unchained, were all treated to literary makeovers. Take a closer look in our gallery. … Read More
The 10 Best Movies About Lovers on the Run
Good news for cinephiles: the kind folks at Criterion were kind enough to restore and release (on DVD and Blu-ray, along with the expected goody basket of bonus features) Terrence Malick’s Badlands, which is out this week. It’s mostly notable as Malick’s debut feature, but it was also a cornerstone picture of one of cinema’s most durable subgenres: the “lovers on the run” movie, in which an attractive young couple hits the road, fleeing their unfortunate crimes (and/or committing more), with the law in hot pursuit. If you’re in the mood for a marathon, we’ve got a few suggestions after the jump. … Read More
Hilarious Notes on Modern Classics From Clueless Studio Executives
The image of non-creative types mucking about with (and screwing up) movies and television shows is nothing new — we’ve seen it in everything from Barton Fink to The Player to The Larry Sanders Show — but we got a rare opportunity to observe a real-life example of it recently, when a memorandum of notes from the suits at Tandem Productions to the makers of Blade Runner started popping up online. Those hilarious criticisms and suggestions got us wondering about other classic movies that came close to ruin thanks to studio interference. We’ll take a look at Blade Runner and several other examples after the jump. … Read More
The Baddest Girl Gangs on Film
This summer’s cinema slate is all about teen girls gone wild, with Harmony Korine’s Spring Breakers and Sofia Coppola’s The Bling Ring bringing the crime spree to theaters. Last week week, we listened to the Skrillex soundtrack for Korine’s neon bacchanal and looked at some awesome fan-made posters for the film. The trailer for Coppola’s Bling Ring also appeared online, and got us excited for celebrity-obsessed teens that rob from the rich. Girl groups that willfully break boundaries are rare in cinema, and we wanted to spotlight more of these troublemakers. These brazen all-girl gangs proved men don’t necessarily have the upper hand when it comes to kicking ass and taking… Read More
Imaginative Ads for Pop Culture’s Most Famous Fictional Products
Few institutions hold the key to our pop culture-obsessed heart like Gallery 1988, the dual-location Los Angeles art gallery that showcases art celebrating our favorite films, music, and TV. The latest exhibit for the Venice Gallery is Product Placement, consisting of imagined artwork for fictional products from all points of the pop culture universe. Join us after the jump for a preview of the show, which opens Saturday and runs through March 30th, including inventive ads for Red Apple cigarettes, Soul Glo hair products, Dapper Dan pomade, and more. … Read More
Flavorpill’s Official 2013 Academy Awards Drinking Game
Organizers are hurriedly completing the finishing touches on the Dolby Theatre in Hollywood for the 85th Academy Awards premiering tonight at 8PM. The rest of us are readying our Oscar-themed cocktails so we can survive the never-ending event and walk (ok, crawl) away mostly unscathed. We’re counting on host Seth MacFarlane for unscripted hilarity. In the words of RuPaul: “Good luck, and don’t f**k it up.” You’ve agonized and argued over your ballot predictions and the Oscar shocks, snubs, and surprises, but when the red carpet rolls out, we hope you’ll settle in with our official 2013 Academy Awards drinking game. Try not to hurt anyone or anything, and join us here tonight as we live blog the ceremony. … Read More
Sorry, Kareem Abdul-Jabbar: Sometimes ‘B Movies’ Do Deserve Oscars
Kareem Abdul-Jabbar is apparently America’s hottest new cultural commentator, so he’s followed up his out-of-nowhere Huffington Postreview of Girls with an Esquire post explaining why Django Unchained “shouldn’t be up for Best Picture.” Not because he disliked the movie, or was troubled by its racial politics or revisionist history — to the contrary, he “liked Django Unchained and has been recommending it to everyone.” He heartily applauds the acting nomination for Christoph Waltz, and finds Samuel L. Jackson, Kerry Washignton, and “Jamie Fox” equally commendable. No, the trouble with Django Unchained, writes Mr. Abdul-Jabbar, is that it’s not reputable and respectable enough for the refined Best Picture category. … Read More
The Quintessential American Movie of Every Decade, 1920s-Present
BAMcinématek’s A Pryor Engagement retrospective, which we told you about a couple of weeks back, is unfortunately coming to an end this week — but not before tonight’s screening of a film that most consider not only lesser Pryor, but a fairly middling and forgettable effort in general. Your film editor disagrees. The picture is called Brewster’s Millions, a 1985 comedy that pairs up Richard Pryor and John Candy, and it’s not just a funny kick of a buddy movie (though it is that); it is, we contend, nothing less than the quintessential American 1980s motion picture. We’ll explain why in due course. In the meantime, inspired by this particular take on Millions, we decided to comb through the annals of cinema history and determine which films were most specifically of their decades. We’re not saying that these are the very best films of their time (though some were); rather, we feel that each is specific to their time, and summed it up in a unique way. We’ll go from the 1920s to the 2000s, and explain our choices along the way. … Read More
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