There comes a time in a pop star’s life when she, her business manager, some barnacles from the major label footing the bill for her latest record, and some other freeloaders gather in a conference room and look at how much money she’s been able to scare up a few singles into an album release. They might decide, “We’ve sold quite a lot of records and people want more!” They may note that people are still buzzing about the artist and suggest, “Say, auspicious pop star, how would you like to record another album quickly so we can make another boatload of bucks?” At this point, the pop star might say, “You know what? I’m tired.” But, plucky as they are, major label types will persist: “Okay, well, we have all these live tracks. We have some b-sides and demos, too. We can master them in Garage Band and have you pose for a new album cover and call it a ‘deluxe edition.’” At this point, the pop star might say, “Sure, fine, is there more Cîroc?” Of course, there is always more Cîroc.
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