Roberto Benigni

The 10 Worst Movies Based on Real Political Events

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Last week, everybody got a big chuckle (some more than others) out of The Hollywood Reporter’s scoop that Michael Bay — best known for making movies about cars transforming into giant robots and blowing shit up — is in talks to helm 13 Hours, a political drama about the 2012 attack on the US embassy in Benghazi. And while most of those titters come from the participation of meathead entertainment maker and short-short connoisseur Bay (and from speculating on the various ways in which he could fumble the attack’s narrative, in light of its subsequent status as a political football), there’s also some rightful skepticism about the ability of anyone in Hollywood to make this particular “political drama,” since that’s a subgenre the movie industry seems so inclined to fuck up. So on this most political of days, let’s take a quick walk down that hall of shame, shall we?
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Stereotyping You By Your Favorite Jim Jarmusch Movie

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Only Lovers Left Alive, the ultra-cool vampire hangout flick from indie legend Jim Jarmusch, is out tomorrow in limited release, marking an even dozen feature films from the creatively coiffed auteur. It’s a fascinating filmography, encompassing multiple genres (from comedy to Western to action movie to horror) without fully turning over to any of them; all of his movies are, above all else, Jim Jarmusch Movies, which has sort of become a genre of its own. Yet the film that you pick as your favorite says a lot about you as a person — and thus we give the Jarmusch filmography our signature “stereotyping you by” treatment.
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