Last week, everybody got a big chuckle (some more than others) out of The Hollywood Reporter’s scoop that Michael Bay — best known for making movies about cars transforming into giant robots and blowing shit up — is in talks to helm 13 Hours, a political drama about the 2012 attack on the US embassy in Benghazi. And while most of those titters come from the participation of meathead entertainment maker and short-short connoisseur Bay (and from speculating on the various ways in which he could fumble the attack’s narrative, in light of its subsequent status as a political football), there’s also some rightful skepticism about the ability of anyone in Hollywood to make this particular “political drama,” since that’s a subgenre the movie industry seems so inclined to fuck up. So on this most political of days, let’s take a quick walk down that hall of shame, shall we? … Read More
Only Lovers Left Alive, the ultra-cool vampire hangout flick from indie legend Jim Jarmusch, is out tomorrow in limited release, marking an even dozen feature films from the creatively coiffed auteur. It’s a fascinating filmography, encompassing multiple genres (from comedy to Western to action movie to horror) without fully turning over to any of them; all of his movies are, above all else, Jim Jarmusch Movies, which has sort of become a genre of its own. Yet the film that you pick as your favorite says a lot about you as a person — and thus we give the Jarmusch filmography our signature “stereotyping you by” treatment. … Read More
Every Friday here at Flavorwire, we like to gather up the week’s new movie trailers, give them a look-see, and rank them from worst to best — while taking a guess or two about what they might tell us (or hide from us) about the movies they’re promoting. We’ve got eleven trailers for you this week, including new films from Woody Allen, Oliver Stone, and Seth McFarlane, plus Whitney Houston’s final role and Katy Perry in 3D. (Seriously.) Check ’em all out after the jump, and share your thoughts in the comments. … Read More
This year’s Academy Awards are just around the corner (well, okay, they’re still a week and a half away, so it’s more like around the corner, down a little, second door on the left), and while we can’t help but get a little excited about Hollywood’s big night, we’re also being very careful to keep our expectations in check. We’ve already lamented the many worthwhile films and performances that were unduly snubbed by the Academy of Motion Picture Arts and Sciences at the nominations phase; when Sunday the 26th rolls around, you can bet the farm that the AMPAS will confound us again by making at least a couple of spectacularly bone-headed choices. There’s a long and storied history of the Oscar simply going to the wrong damn person or movie, countless cases where a peek back at the list of nominees and the eventual winner provokes confusion, rage, or at the very least, a bit of head-scratching. After the jump, we’ve gathered ten of the most egregious examples. … Read More
January is upon us, and we film fans know what that means: nothing good. The first month of the year is traditionally the dumping ground for Hollywood studios, the month in which they unload the films that aren’t quality enough for the Oscar-courting fall, but not commercial enough for the lucrative holiday, spring, and summer seasons. January is where bad movies go to die, and where studios hope we won’t notice them. They’re usually right; viewers either tend to catch up on the prestige pictures that are going into wider release, or just stay at home and watch football. But our nation’s film critics, fat and happy after the holiday feast of smart, highbrow entertainment, are often subjected to the sugar crash of January dogs, and as a result, their reviews often pack a little bit of extra vitriol. After the jump, we’ve assembled the ten worst movies released in the month of January — according to the reliable aggregators at Rotten Tomatoes — along with a few choice words from the scribes who sat through them. … Read More
So, you know what was a great movie? Blue Valentine. Yes, you walk out of it feeling like you’ve been punched in the gut, and it may be one of the worst first-date movies of all time, but good lord, the performances are crushing, the structure is masterful, and there’s just not a moment of it that you don’t believe. Oh, and you know what else is great? Rabbit Hole. Again, not exactly an upbeat, fizzy movie, but wow, it’s so subtle and restrained but it just absolutely breaks your heart. Now, these aren’t the kind of movies that do gangbuster business based on their loglines (“Enjoy this heartbreaking tale of a couple falling to pieces!”), but it’s a good thing they’ve been properly recognized by the Academy of Motion Picture Arts and Sciences, so they can promote all those Oscar nominations, right?
What’s that? They each got only one nomination? Oh dear. Well, still, even getting one Academy Award nomination is a big deal, right? A movie’s got to be pretty exemplary to even be considered for that kind of award recognition. Just take a look at the full list of nominees, and you’ll see some of the other movies that got nominated this year, like… Salt? The Wolfman? Country Strong? Wait, so, at least in terms of the number of nominations, Blue Valentine is somehow comparable to Country freaking Strong? … Read More
Movie critics have always been the gatekeepers of what to see and what to avoid at the box office, or at least that’s what they want you to think. Does that mean a bad review will dash hopes for blockbuster glory? We decided to take a look at the best and worst received films this decade and see if it had any bearing on their box office returns. After the jump, check out our… Read More