rosario dawson

The 5 Best Movies to Buy or Stream This Week: ‘Top Five,’ ‘Ever After’

It’s a bit of a dodgy week for home movie viewing, new release-wise at least; the calendar is dominated by the likes of that Penguins of Madagascar thing, the ill-advised Annie remake, and the unfortunate Exodus: White Gods and Kings. But there’s good news too, as this week sees the release of one of last year’s best comedies, the Blu-ray debuts of two all-time classics, and a hidden gem from Criterion. Plus, for you Netflixers, we offer a fave from ’98 rendered newly timely. … Read More

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Why Did It Take Chris Rock So Long to Make a Great Movie Like ‘Top Five’?

The moment he dropped his 1996 breakthrough stand-up special Bring the Pain, Chris Rock was dubbed the heir apparent of Richard Pryor, one of the few comics on the scene to approach the king’s potent mixture of social commentary, personal confession, and performative brilliance. But that wasn’t all they had in common; Pryor spent most of his film career failing to find a vehicle that captured his unique gifts, and Rock has experienced much of the same struggle. “Richard Pryor has two good movies out of 30 or 40,” Rock told Rolling Stone. “Rodney Dangerfield had one. So it’s easy to look at history and go, ‘Maybe I’m not going to get one’… But I guess you’ve got to make your own history.” And Rock has done just that with his new film Top Five, writing, directing, and starring in a picture that plays like a cross between Stardust Memories, Funny People, and Before Sunset, but refracted through the prism of Rock’s distinctive comic sensibility. So why did it take him so long to make a movie worthy of his talent? … Read More

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Why Chris Rock’s “Burn Hollywood Burn” Tour is Right On Time

Chris Rock has run out of fucks to give. His new movie, Top Five, debuted with a bang at the Toronto Film Festival, igniting a fierce bidding war for distribution — won by Paramount Pictures, which ponied up $12.5 million, more than twice the picture’s production budget. Reviews for the picture, which Rock wrote, directed, and starred in, were rhapsodic; they called it his Stardust Memories. And maybe it’s that position of confidence that’s prompted him, in a flurry of interviews and op-eds, to ravenously bite the hand that feeds him, calling out the movie industry for its intellectual hypocrisy and institutional racism. It’s rather thrilling to watch this razor-sharp celebrity call bullshit, consequences be damned; it’s also a reminder that even the most ostensibly liberal environments are a long way from sunny, “post-racial” America (as if we needed any more reminders of that this week/month/year/etc). … Read More

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The Competition Heats Up For Seven Actresses Vying For the Female Lead of ‘True Detective’

True Detective season two remains shrouded in mystery and rumors now, with the idea that it’s taking place in California… Read More

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‘Sin City: A Dame to Kill For’ and the Woes of the Long-Delayed Sequel

When the first Sin City movie was released, George W. Bush had just begun his second term. Pope John Paul II died during its opening weekend; Hunter S. Thompson had taken his own life about six weeks earlier. People were talking about Terri Schiavo. Doctor Who had just returned to television after a 16-year absence, and Dan Rather and Peter Jennings had just anchored their final evening newscasts. The #1 single in the country was 50 Cent’s “Candy Shop.” Hitch, Million Dollar Baby, and Miss Congeniality 2 were still in theaters. Sin City opened against the Queen Latifah vehicle Beauty Shop, but neither film’s trailer was unveiled on YouTube, which would not launch until three weeks after their release date. In other words, the first Sin City came out a long, long time ago, and while the duration between that film and its sequel Sin City: A Dame to Kill For doesn’t fully explain the new film’s flaws, it’s quite instructive when examining the reactions to them. … Read More

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Flavorwire’s Guide to Movies You Need to Stream This Week

Welcome to Flavorwire’s streaming movie guide, in which we help you sift through the scores of movies streaming on Netflix, Hulu, Amazon, and other services to find the best of the recently available, freshly relevant, or soon to expire. This week, there’s great stuff from Leonardo DiCaprio, Julianne Moore, Carey Mulligan, Greta Gerwig, Alexander Skarsgård, Guy Pearce, Dwayne “The Rock” Johnson, Tobey Maguire, Steve Coogan, Billy Bob Thornton, Robert Duvall, Christopher Walken, Ben Stiller, Rosario Dawson, and more. Check them out after the jump, and follow the title links to watch them right now. … Read More

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Rosario Dawson Is Making It So Hard to Be a DC Gossip Columnist

When asked which jobs I’d likely never try out, a few come to mind: zookeeper, trash collector, PA on Keeping Up With the Kardashians. One that has never seemed an option was Washington, DC gossip columnist. Having grown up relatively close to the nation’s capitol, there wasn’t much about the city that seemed very exotic or exciting, and one would assume that the gossip would always focus on boring old white men with political power who sleep around. (For me, DC gossip peaked when Nora Ephron broke up with Carl Bernstein, not just because her autobiographical novel Heartburn was made into a great movie starring Meryl Streep and Jack Nicholson, but because it was more about the woman on whom a man cheated, rather than a bunch of gossipy details of the boring sex that man likely had.) It looks like we’re in dire need of a Beltway sex scandal, because the DC columnists are setting their claws in a much more unlikely subject: Rosario Dawson. … Read More

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‘The Guardian’ Asks Artists, Scientists, Thinkers What They’d Like to See Next in Fight for Women’s Rights

One hundred years ago, suffragette Emily Davison died throwing herself in front of King George V’s horse at Epsom Derby.… Read More

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The Fascinating Failure of Danny Boyle’s ‘Trance’

Who knew A-list directors were so into erotic thrillers? First came Steven Soderbergh’s Side Effects, in which the retiring filmmaker brought his cool gaze and offhand naturalism to a story that was, he openly admitted, in the grand tradition of Fatal Attraction and Jagged Edge. And now we have Trance, in which Trainspotting and Slumdog Millionaire director Danny Boyle does the sleek-and-sexy dance, as Rosario Dawson falls in and out of James McAvoy and Vincent Cassell’s impeccably designed, neon-lit beds. It’s trashy fun, to a point, but what’s most intriguing about stacking Boyle and Soderbergh’s films up against each other is how they succeed and fail in very nearly the same fashion: compelling setup, terrific vibe, lousy payoff. … Read More

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