The first trailer for Bond 24, Spectre, has finally arrived. Daniel Craig’s 007 is hiding something in the new… Read More
After seeing The Public’s production of King Lear this summer, Ira Glass came to the incendiary conclusion that “Shakespeare sucks.” The comment riled many, for reasons that are largely obvious to anyone who understands the Bard’s place in the literary canon, but also because of the threat that such an influential public figure’s disapproval poses to an art form that’s already been noted to be “dying” at the slow pace of a stabbed Shakespearean character. Now, some would counter that theater’s adherence to the past is what’s dooming it in the first place, and that our reverence toward Shakespeare is the core of the problem. But Shakespeare has actually proven to be one of the most vital vessels for change in theater. Here are 45 productions that — through radical politics, outlandish visuals, and enormous Kevin Spacey heads, might change the way you (and Ira Glass) — view… Read More
In what seems to be a lucky grab for the Bond franchise — but an apt career choice for Lea… Read More
You’d think, by this point, we’d know just about all there is to know about the Indiana Jones movies, but last week (in honor of the second film’s 30th anniversary), Yahoo! Movies tracked down Nizwar Karanj, the actor on the receiving end of Temple of Doom’s notorious improvised heart removal. And he had a bit of inside information: that scene was supposed to be even gorier than it was. Yet somehow, the original version of the scene hasn’t made its way onto the Indy DVDs or Blu-rays, which makes it one more lost bit of film that somehow hasn’t reached viewers in this age of ubiquitous “Deleted Scene” bonus features.
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Italian illustrator and cartoonist Massimo Carnevale has been capturing attention on film blogs all over the world for his beautiful and inventive artwork inspired by scenes from American movies; he makes striking use of color and repurposed iconography, creating works that are both recognizably his and true to the spirit of the films that inspired them. After the jump, join us for a quick stroll past some of our favorites by this prolific artist.
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Yesterday, we heard that David Fincher, director of Fight Club and The Social Network (among numerous other things), is considering signing on to direct the adaptation of Gone Girl, the thriller that took this year’s book world by storm. Fincher is great and all (and, as Deadline so awkwardly points out, “has handled female-themed Panic Room with Jodie Foster”), but we don’t think he’s the best man for the job. After the jump, we’ve taken a look at ten contemporary bestsellers, including Gone Girl, and picked the directors that we think would be the best at adapting them (even if, er, film versions have already been made). Click through to see our choices, and feel free to argue us down in the comments.
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