As befits an obsessive writer, Beckett read everything he could get his hands on, and of course had opinions on everything. The Letters of Samuel Beckett, Vol. 2, recently published by Cambridge University Press, sheds light on Beckett’s correspondence from 1941 – 1956, and is, of course, fascinating. To whet your appetite (if you don’t have a copy of the book yet), CUP has published a partial list of books mentioned by Beckett in his personal letters, some even with a few choice words of derision or approval, so we can get an idea of what he was reading in those fifteen years. Click through to see Beckett’s reading list, and then make sure to pick up a copy of the book for even more.
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There’s no shortage of designers altering book covers these days — just look at all of the hilarious gems that Dan Wilbur creates on Better Book Titles — which means you’ve got to be doing something pretty special to warrant a second glance. Mark McEvoy’s work definitely qualifies as attention-grabbing; the artist takes found copies of classic books like The Portrait of an Artist and Dracula, and gives them a cheeky, modern makeover that might make certain bibliophiles a bit nervous. Click through for a few of our favorite covers from the on-going project.
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Endings, as we all know, are important. An entire novel can be ruined by a disappointing ending, but by the same token, an entire novel can be made by a wonderful one. We’ve already given you a rundown of our favorite opening lines in literature, but since every beginning needs an ending (and you’d be surprised at how many works with awesome first lines also have awesome last lines – or perhaps you wouldn’t be surprised), we feel compelled to treat you to a list of our favorite last lines as well. Click through for 20 of our favorite endings from our bookshelf of classic and contemporary greats, and let us know your own picks for best last lines in the comments.
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Everybody doodles. There’s just something about an idle moment and a blank space on a page that invites a little design or two. Plus, there is some evidence that active doodlers are also active thinkers and imaginers. After all, John Keats doodled flowers in the margins of his manuscripts, and Leonardo DaVinci is famous for his love of doodling. There’s even a whole book dedicated to the doodles our various presidents have scribbled – we hope not while they were supposed to be paying attention to anything important. But everybody’s doodles are different – like dreams, they are culled directly from the loose bits floating around in our brains, and their expression is really only inhibited by the doodler’s physical abilities and/or hand-eye coordination. Authors – especially those who wrote with pens instead of those soulless computer things – are prime doodlers. They have a million ideas going through their heads at once, so it makes sense that something would spill out as a little drawing on the side. Check out our gallery of doodles by famous authors, and let us know what (if anything) you think it tells us about them.
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What do your glasses say about you? And more importantly, which famous spectacle-sporters do they make you look like? We’ve picked out some four-eyed artists, writers and cultural figures as our guides, and analyzed the shapes of their specs to determine what category you might fall into if you choose to rock their signature frames.
After all, whether round or square, big or small, glasses are always a statement, and we think the kind of statement you make on your face probably has some bearing on the kind of statement you make in your art. Do aesthetic choices track from accessories to prose to song lyrics? Or can you get a little closer to writing like David Foster Wallace if you appropriate his specs — literally the lenses through which he sees the world? We speculate on a few spectacles after the jump.
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The Millions recently posted the very Shteyngart-y opening passage of Gary Shteyngart’s forthcoming novel, Super Sad True Love Story
.
“Today I’ve made a major decision: I am never going to die. Others will die around me. They will be nullified. Nothing of their personality will remain. The light switch will be turned off.”
It got us thinking about our own favorite beginnings, both recent and classic. Below are some favorites from our bookshelf. Feel free to add your own picks in the comments section.
1. Slumberland
by Paul Beatty
Best commentary on “post-blackness” considering Obama wasn’t even president when the book was written:
“You would think they’d be used to me by now. I mean don’t they know that after fourteen hundred years the charade of blackness is over? That we blacks, the once eternally hip, the people who were as right now as Greenwich Mean Time, are, as of today, as yesterday as stone tools, the velocipede, and the paper straw all rolled into one? The Negro is now officially human. Everyone, even the British, says so.”
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