Steven Soderbergh

Flavorwire’s Guide to 2015 Summer Movies

By

This Friday, just like the first weekend of every May since 2007, a new movie based on a Marvel comic book will open in thousands of theaters across the country, will make all the money, and will serve as the official starter pistol for summer movie season. And for many a seasoned moviegoer, that’s a cue for despair; after all, summer has become synonymous with big, bloated, stupid blockbusters of the Transformers school. And make no mistake, there’s plenty of those on the runway this season (how ya doin’, Terminator Genisys, it’s pretty funny that you’re actually going with that spelling). But don’t go into cinematic hibernation just yet; there’s also a steady stream of first-rate indie-flick counterprogramming on the runway, and some of the big movies actually sound pretty good. So, as a public service to you, the discerning moviegoer, we’ve assembled a month-by-month look at what might actually be worth your time and …Read More

Flavorwire Interview: Ava DuVernay on ‘Selma,’ ‘The Interview’ Controversy, and Her Addiction to ‘The Knick’

By

Considering that she just put the finishing touches on the year’s best film, is busy preparing for its Christmas Day release, and is gearing up for an Oscar campaign, I’m a little stunned Ava DuVernay, director of Selma, has time to eat or sleep, much less put aside 20 minutes to talk about movies and geek out about TV. But the brilliant filmmaker — who started in the film business as a publicist before breaking out as a director with the marvelous 2012 indie Middle of Nowhere — carved out some time for this lively discussion of Selma, Ferguson, Dr. King, diversity in Hollywood, the holiday season’s other hot-topic political movie, and why she’s doing TV next.
…Read More

How the Death of Mid-Budget Cinema Left a Generation of Iconic Filmmakers MIA

By

Earlier this year, John Waters — whose last movie, A Dirty Shame, was released a full decade ago — finally got the offer he’d been waiting for all this time. According to his hitchhiking chronicle Carsick, his very first driver was “Harris,” “an art school type” with a sideline in weed dealing who called himself a fan. They talked for a bit about movies before Harris asked the (five) million-dollar question: “How come you aren’t making a movie?”
…Read More