Although NYC-based English photographer Shane Gray’s photographs, which we recently spotted over at Booooooom, are shot in broad daylight and without special effects, there’s something magical, often almost surreal about the scenes he captures. ”Through the lens,” Gray writes, “I continue to witness our changing world amidst the enlightening, bland and random across the gamut of our existence with a continuing fascination fo the human predicament and different environs.” Sure, but he also has a knack for color and, it seems, a habit of being in the right place at the right time, which always helps. Click through to see a few of our favorite snaps from Gray’s New York photographs, and then be sure to head over to his website to check out a vast wealth of his work. … Read More
A street photographer since the mid-’60s, Chip Simone studied at the Rhode Island School of Design with Modernist-master Harry Callahan and shot classic black-and-white pictures for years before jumping on the digital train in 2000. Since turning to faster cameras and color imagery, Simone has built an impressive body of work, which he makes by walking and cycling through cities up and down the East Coast. Collected by major museums, as well as Elton John, who’s a connoisseur of the medium, Simone has an eye for the uncanny and a keen awareness of how photography can magically parallel painting and sculpture. With a decade of work currently on view at New York’s Steven Kasher Gallery and a recent monograph and museum survey under his belt, Simone is definitely one to watch — especially after so many years of pounding the streets. Click through a selection of our favorite images. … Read More
We’re big fans of street photography around here, which is why we’re excited that The National Gallery will be presenting a related exhibition featuring images from some of the genre’s biggest names. Walker Evans, Harry Callahan, and Bruce Davidson are just a few of the artists who will be featured in I Spy: Photography and the Theater of the Street, 1938–2010. The National Gallery was kind enough to preview some of the work featured in the show with us, which you’ll be able to see in person when the exhibit opens on April 22 (running through August 5). Past the break, we’ve shared several of Evans’ subway photos, which prove that the dour expression commuters often wear has been around since the 1930s. Callahan’s extreme close-ups of people out and about capture a curious sense of urban malaise, and Davidson’s cast of characters is highly entertaining. Click through for a closer look, and visit the National Gallery’s website for more information. … Read More
Ansel Adams was famous for his signature series of landscapes, spindling trees, ominous clouds and cliffs, but he also had bills to pay. He had clients. He had assignments. In the ’40s, Fortune Magazine sent him to document Los Angeles’ aviation industry. He shot workers at a steel plant, but also dawdled around LA a bit, snapping oil rigs and boulevards and friends at bowling tournaments, friends at bars, friends staring off at the Santa Monica coastline. He ultimately decided that “none of the pictures were very good,” and donated the photos to the Los Angeles Public Library. Are they? Ansel Adams Los Angeles exhibit goes on view at LA’s drkrm Gallery on February 18th, but you can take a look at the loot right here, in our gallery, and judge for yourself. From dusty Burbank to bustling Downtown LA… let’s go! … Read More
Long before it was figuring into the plotlines of popular shows like Gossip Girl or luring in fresh-faced transplants with false promises of spacious lofts filled with likeminded creative types, Brooklyn was synonymous with the idea of hip-hop style. In Jamel Shabazz’s Back in the Days: Remix, a recently-released expanded edition of the noted photographer’s 2001 book, he theatrically documents the fashion that dominated early days of the scene — from the door-knocker earrings and Cazal glasses to the short shorts and oversized boomboxes.
“He did with pictures what rappers did with words,” hip-hop historian Bill Adler has explained. “He made these folks visible the way rap made them audible. He took everyday people and turned them into icons. Nobody told him to do this. He just went out and struck gold.”
For Shabazz, however, the motivation behind the images was much simpler. “It started for fun, but progressed into making people feel good about themselves,” he told The New York Times. “I’d approach them and say ‘Excuse me, brother. My name is Jamel Shabazz and I’m a photographer. When I see you, I see greatness. I see the future.’” Click through to travel back in time with a selection of images from Shabazz’s fantastic collection, and visit his website for more information on the book and his other work. … Read More
Can snapping close-up photos of a subject’s head, hands, and feet reveal more about who they are than a traditional portrait? The idea might seem counterintuitive, but that’s what we’re pondering after looking at the work in Adde Adesokan’s ongoing street photography series, Triptychs of Strangers, which we spotted thanks to Photojojo!. When viewed on their own, each of the frames is chock full of details but lacking in context; taken as a whole, the composite result is pretty illuminating, boiling a person down to his or her most essential parts. Click through and let us know if you agree. … Read More
“Like one punch in the face after another,” says an LA Times writer of Shawn Nee’s work. Most people I know have had a similar introduction to “the discarted collection” — trolling through Flickr, when suddenly… wait. Wow. Is that Superman and Hulk smoking up in a parked car? Is this mangled-bearded man real? From opposing protestors caught facing off in the Hollywood streets to portraits in the tent cities of the homeless, photographer and photography rights activist Shawn Nee captures defining moments and defining characters, shooting strictly in film with a Canon EOS 3. There is absolutely nothing exploitative about his work.
“For me, taking pictures is not about chasing that one great image,” he says. “I’m more interested in the actual experience of spending time with someone I have never met before, seeing how they live their life.” It’s evident in the photos. It’s evident in his stories. He knows the LA River squatters and the ventriloquist buskers by name. They know him. Now you do, too. Check out a slide show of some his work in our gallery. … Read More
Thanks to “New Colour” luminaries like William Eggleston and Stephen Shore, it’s hard to imagine that there was once a time when color photography was sneered at in the art world. In those early days of the medium, Fred Herzog, whose work we spotted over on … Read More
For every one of his fantastic shots, photographer Peter Funch stakes out a busy New York City street corner, capturing hundreds of moments over the course of several weeks from the same spot. Then, he digitally combines real scenes into one surreal super scene. Suddenly, all the people who passed him while dressed in black re-appear simultaneously. Every single person in Times Square is a picture-snapping tourist. Everyone on a Lower East Side street has a little dog. Everyone is yawning. Everyone has balloons. The happenings in his “fictional documentary” series Babel Tales aren’t lies, they’re truths exaggerated. Enjoy the views in our gallery. … Read More
Documenting the fascinating discovery of an unknown street photographer, a website devoted to Vivian Maier provides a glimpse into the work of a prolific shutterbug.
A nanny in Chicago — she once watched over Phil Donahue’s children — Maier had a hidden talent: she was a keen observer of people and a brilliant photographer. Real estate agent John Maloof brought her work to light when he discovered thousands of her prints, negatives, and undeveloped rolls of film at auction in 2009, and has slowly been sharing the treasure trove online. … Read More