We tend to think of the releases of iconic movies as standalone events, like the world came to a crashing halt so everyone could go stand in lines around the block for Star Wars or Jaws or Jurassic Park. But the movies are a business, and rare is the week that doesn’t see multiple releases, which can make for some interesting juxtapositions. (True story: the big movie on Star Wars opening weekend was supposed to be Smokey and the Bandit.) Most of the time, such competition falls into the realm of counter-programming, which was what made June 8, 1984 so peculiar: the two new wide releases of that day were both pitched towards the same general audience, the families-and-teens crowd that had become the bread and butter of the summer movie business. Both would open well — only separated by about a million bucks — and would end up the second- and fourth-highest-grossing movies of the year. More importantly, both would remain beloved pop culture classics, buoyed by a uniquely ambitious mixture of genres that is seldom attempted today. The films were Ghostbusters and Gremlins, and they both turned 30 years old yesterday. … Read More
Though we’ve barely put away our parkas here in NYC, summer movie season is apparently underway, since there’s now a new Spider-Man movie playing on basically every vertical surface in the country. It could be argued that “summer movie season” began a month ago, when Captain America: The Winter Solder came out, because Hollywood is stuck in a PERPETUAL COMIC BOOK TENTPOLE BLOCKBUSTER SUMMER, but I digress. Let’s not fight it; here’s our look at 25 of this summer’s most promising releases, big and small. Plan your vacations… Read More
It was a very big Thanksgiving weekend at the American box office. In its second weekend, The Hunger Games: Catching Fire brought in $109 million, beating the five-day Thanksgiving record set by Harry Potter and the Sorcerer’s Stone. Meanwhile, Disney’s debuting Frozen did a bang-up $93 million in the same time frame, itself setting a record for the biggest Thanksgiving opening ever (a mantle it nabbed from Toy Story 2). Neither record comes as a surprise; these were big, widely marketed movies from a tentpole franchise and cinematic brand name, respectively. But they had something in common: both were films with female protagonists, and their massive grosses were driven by female moviegoers. “That’s box-office Girl Power,” notes The Wrap, and if the word choice is cringe inducing, the sentiment is spot-on. … Read More
Hey there, reader! Feeling sad about how awful most of the big summer blockbuster movies have been? How about the… Read More
Hey, remember back when Bridesmaids came out, and everybody was all, “It’s your social responsibility to support female-driven comedy,” and then it was a hit, so yay for funny ladies? And then The Hunger Games came out, and everybody was all, “It’s your social responsibility to support a female-driven blockbuster,” and then it was a hit, so yay for lady ass-kickers? Well, as it turns out, none of that mattered a lick, because according to a study released yesterday by the USC Annenberg School of Communication and Journalism, female representation in popular films is at its lowest level in five years. So thanks for nothing, Hollywood. … Read More
It’s the first weekend in May, so you know what that means: there’s a new Marvel movie in theaters, and the summer movie season has officially begun. It’s a tricky minefield to navigate, rife with sequels and reboots and sequels and adaptations and sequels, but Flavorwire is here to help: our summer movie guide takes you through the entire season, month by month, spotlighting the films that might be worth seeing (Might! Maybe! No promises!) and delicately averting your eyes from the certain dogs. Take a deep breath and put on your 3D glasses; here we… Read More
Today’s excruciating weather seems like a fitting tribute to the film everyone loves to hate-watch in the summer: Jaws. We say hate with a grain of salt, obviously, because the tale about a great white terrorizing an island community is one of cinema’s greatest hot weather movies — tapping into our universal fears like few can.
Steven Spielberg’s second feature film — which set the standard for summer movie blockbusters and is essentially an updating of Melville’s Moby Dick, based on Peter Benchley’s novel — first hit theaters today in 1975. For a film that’s almost 40 years old, Jaws is just as suspenseful and unnerving now as it was back then. Spielberg’s horrific shark Bruce is surprisingly scarier than most CGI monsters currently packing theaters.
With shark-filled beaches in mind, let’s take a look back at other movies that make us cringe when the temperatures rise. Tell us about the films that get your vote below. … Read More
[Editor's note: Your devoted Flavorwire team is taking Memorial Day off, but we've left you with some of our favorite summer-related features that you may have missed the first time around. This post originally ran April 24, 2012. Enjoy!]
We’ve made clear, on several occasions, our deep affection for Austin’s (and soon to be New York’s) Alamo Drafthouse, a venue that has, year after year, taken cinema obsession and programming ingenuity to new heights. This summer, however, they’ve outdone themselves: they’re paying a 30th anniversary tribute to the summer of 1982 with a series of 35mm screenings, timed to the original opening weekends of the movies that made up, in their words, “the greatest summer of movies… ever.”
That, friends, is a tall claim, and one that we felt required further investigation. After the jump, we’ve assembled ten possible contenders for that crown, along with the highlights of that particular season of movie-going; cast your ballots (or add your own alternates) in the comments. … Read More