Sundance Film Festival

Sundance 2015: The Deals, the Awards, and When You Can See These Fabulous Films

The 2015 edition of the Sundance Film Festival has come to a close, and if you’ve been following our coverage — and I know you have! — you may be wondering if and when you’ll get to see all these fabulous documentaries and terrific narrative features. And, well, it’s a little complicated. The “if” is fairly easy to figure out, at this point; a healthy chunk of the movies that play the ‘dance go in without a distributor in place, and come out with one. (Deal-watching is one of the many side spectator sports of the festival.) They don’t always announce when they’ll put those movies out, of course, but we can also take some guesses, so let’s round up the deals that have been made, and get an idea of what the art house will look like in 2015 and beyond. … Read More

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Exclusive: Alex Gibney on the Church of Scientology’s War on… Film Critics

When the Church of Scientology took out full-page ads in The New York Times and other outlets slamming Alex Gibney’s Scientology exposé Going Clear in advance of its Sundance Film Festival premiere last week, many wondered if the church might send members to protest the premiere, or stir things up at the customary post-screening Q&A. But at that screening, and in the week of festival showings that followed, no protestors were seen and no scenes were caused. Instead, the Church is taking a less obvious (and perhaps more 21st-century) approach: social media outrage and emails to film critics, a campaign that director Gibney tells Flavorwire is “so ham-fisted and so predictable.” … Read More

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The Best and Worst of Sundance 2015 (Narrative Edition)

Come Sunday, the screens will go dark, the volunteers will turn in their vests, the tents will fall, and the 2015 Sundance Film Festival will come to a close. But as it winds down, we’re taking a look at some of our favorite and not-so-favorite films of this year’s fest. Yesterday, we ran down and ranked this year’s documentaries; now, to the narrative films, spinning fiction while still (hopefully) telling… Read More

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The Best and Worst of Sundance 2015 (Documentary Edition)

The Sundance Film Festival draws to a close this weekend, but your film editor is already headed home from the land of snowy mountains, altitude headaches, crowded shuttles, and indie flicks galore. Because I managed to take in so many Sundance titles this year (34 total), we’re splitting our capsule review roundup into two parts; tomorrow we’ll look at the fest’s narrative films of note, while the focus today is on the documentary premieres and competition entrants. These 19 movies covered everything from sexual exploitation to famous faces to the movies themselves, with intelligence and grace; they (OK, most of them) are worth keeping an eye on in the months to come. … Read More

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Sundance 2015: Joe Swanberg Channels Cassavetes in the Star-Studded ‘Digging for Fire’

PARK CITY, UT: In the Q&A session following Sunday night’s Sundance Film Festival premiere of Joe Swanberg’s new film Digging for Fire, star Rosemarie DeWitt recalled getting a text from co-star Sam Rockwell shortly after production began — a text reading, as she recalled, “What the eff is this movie about?” Many of the responses in the Sundance Twittersphere (the best harbinger of that most valuable of commodities up here, “buzz”) have roughly paraphrased that reaction; word is that it’s a meandering, dull mess. (One critic dubbed it Digging for Dire.) To be sure, it’s not exactly an accessible picture — unlike Swanberg’s last two major, star-heavy productions, Drinking Buddies and Happy Christmas, which share several cast members with his latest. But experimentation is kinda what we’re up here for, right? Right? … Read More

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‘I Smile Back': Why Did Sarah Silverman Need a Serious Drama to Become a “Serious Actor”?

PARK CITY, UTAH: Since its premiere Sunday night, one of the biggest stories of the Sundance Film Festival has been Sarah Silverman’s revelatory performance in the addiction drama I Smile Back. Indiewire called her “completely riveting.” Variety insisted, “rarely has a performer striven so concertedly to shed any trace of his/her comedy roots.” And Hollywood Reporter wrote of her “gutsy performance” “annihilating almost every trace of her comedy persona.” On the ground, the skill of her turn has generated nothing less than surprise — she’s so good, and so dramatic! But it should no longer shock anyone that a comic actor is also skilled at drama, not just because there’s such precedence for it, but because comic actors are too often regarded simply as second-class thespians. … Read More

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Sundance 2015: Tig Notaro’s Charm and Insight Save a Formulaic Documentary

PARK CITY, UT: On August 3, 2012, stand-up comic Tig Notaro stepped onto the stage of Los Angeles’ Largo and gave an instantly legendary performance. It came at the conclusion of a three-month period in which she was diagnosed with a dangerous bacterial infection, lost her mother unexpectedly, and was diagnosed with breast cancer. The cancer news came about three days before the performance, and it was a breaking point; suddenly the series of tragedies became funny, it was just so over the top. She greeted the audience with a warm, “Good evening. Hello. I have cancer. How are you?” And she proceeded to execute one of the most breathtaking high-wire acts in stand-up comedy history. Suddenly, she was dying — and a star. … Read More

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Raekwon and Ghostface Killah Announce Documentary

Hip-hop heads have this August marked on their calendars as the 20th anniversary of Raekwon and Ghostface Killah’s classic 1995… Read More

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Sundance 2015: ‘Kurt Cobain: Montage of Heck’ Is a Harrowing, Intimate Portrait

PARK CITY, UT: Buried deep in the private journals, audio diaries, and home movies that comprise the bulk of Brett Morgen’s remarkable documentary Kurt Cobain: Montage of Heck are these instructions: “Look through my things and figure me out.” It’s a simple imperative that Morgen clearly took as his mission statement, crafting a bio-doc that eschews the usual conventions in favor of something a good deal more experimental and impressionistic. “This is not Nirvana: Behind the Music,” director Morgen warned the Sundance Film Festival audience Monday morning. “My films are meant to be experiences.” … Read More

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