During the Essence Festival this weekend, director Ava DuVernay dropped a bomb on fans who were gleeful about the Selma director tackling Marvel’s Black Panther feature. “I’m not signing on to direct Black Panther,” she said. “I think I’ll just say we had different ideas about what the story would be.… Read More
Superhero movie fatigue is a real thing, and I’m afraid your correspondent has come down with a case of it. Sure, there have been dribs and drabs before, in the grim solemnity of Zack Snyder’s joyless Man of Steel or the endless recycling of the Spider-Man franchise. But amidst all the clutter, the Wolverines and Ghost Riders and Green Lanterns, the Marvel movies have been an oasis (y’know, Thor movies aside). Iron Man gave us a hero with real dimension, acted sharply by Robert Downey Jr. and directed with intelligence by Jon Favreau. Captain America: The First Avenger had a golden glow of nostalgia and a giant heart at its center. Joss Whedon injected the series with a shot of genuine wit in the first Avengers — he insisted that blockbusters could be (in fact, should be) funny, a notion taken up well by Iron Man 3 and Captain America: The Winter Soldier. He’s back at the helm of The Avengers: Age of Ultron, which has several thrilling action sequences, a great many good jokes, and an unshakable sense that everybody is just going through the paces.
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The star of this summer’s blockbuster Avengers: Age of Ulton, Captain America himself, Chris Evans, a native son of Sudbury,… Read More
Joe Simon and Jack Kirby were considered by some “the Lennon and McCartney of the Golden Age of Comic Books.” Every genre, from superheroes and space to Westerns and romance, emerged from their studios. Now, a new coffee-table book, The Art of the Simon and Kirby Studio, brings their personal archives into the light. Its large, newsprint-like pages give you a tactile sense that you’re reading the comics in their original form, but even better. Enjoy these stunning images from the new book.
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Tuesday morning, a packed house of fans, filmmakers, actors, and media gathered at the El Capitan Theatre in Hollywood for a mysterious “event” hosted by Marvel Studios. But as the event began, the mystery evaporated: studio president Kevin Feige was there to announce the entire slate for Marvel’s “Phase 3,” the presumed blockbusters that will roll out following next summer’s Avengers: Age of Ultron. In many ways, it was the very essence of hype: an advertising event at which a throng of superfans freaked out over dates and title fonts. But it was a morning of mostly good news — particularly with regards to expanding representation in the Marvel Cinematic Universe, which has to this point been dominated by straight white guys. The only question is, did they go far enough?
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Superheroes need to unionize. Imagine if Batman, tired of living that vigilante lifestyle, joined up with his fellow superheroes in order to earn a living wage while fighting for justice. That’s the premise behind the new creator-owned Image Comics series C.O.W.L. The title stands for “Chicago Organized Workers’ League,” and in this ’60s-set story, tired superheroes who banded together as C.O.W.L. are facing an uncertain future. It’s a fresh reimagining of superheroes who feel far more realistic than men in tights. Flavorwire emailed with C.O.W.L. co-writer Kyle Higgins, who’s expanding the world of his original short film, “The League.” Read ahead for Higgins’ insight and exclusive images from C.O.W.L. #2, available on Wednesday, June 25.
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