If we’re being honest, your film editor was more than a little cynical about Creed, the forthcoming Rocky “spin-off” movie that finds our mumbly hero—played by Sylvester Stallone, for the seventh time—mentoring the son of his late opponent-turned-friend Apollo Creed.
This Friday, Arnold Schwarzenegger does something you’d have never quite predicted: he plays the leading role in an indie drama. Even more surprisingly, he’s very good in it. His quiet turn as a Midwestern farmer in the family drama/zombie flick Maggie is both a strong performance and a smart move for the aging actor, whose action vehicles haven’t exactly burned up the box office lately; when what you do isn’t working anymore, it’s a good idea to try something new. But for every Robin Williams, Matthew McConaughey, or Albert Brooks who transformed their screen persona successfully, there’s another who didn’t quite pull it …Read More
It would be tempting to say that documentarian Mark Hartley’s in trouble once he runs out of schlocky movie subcultures to turn into films, but who am I kidding? Hollywood will never stop turning out schlocky movies. He broke out with the 2008 film Not Quite Hollywood, a raucous celebration of “Ozploitation,” the exploitation pictures of his native Australia; he followed it up with 2010’s Machete Maidens Unleashed!, which looked at the (frequently foreign) exploitation filmmaking of the Philippines in the 1970s and 1980s. His latest, Electric Boogaloo: The Wild, Untold Story of Cannon Films (which opened the Film Society of Lincoln Center’s “Film Comment Selects” series last weekend), dives into the rich story of the notorious mini-studio run by Menahem Golan and Yoram Globus. It is, as per usual for Hartley, a giddy, lightning-paced celebration of cheerfully terrible movies. But in a post-movie discussion with Hartley and some of his participants, it became clear that it’s also not some piece of moldy, irrelevant movie history.
Bad movies are not a simple matter. There are nearly as many categories of terrible movies as there are for great ones: there are films that are insultingly stupid (Batman & Robin), unintentionally funny (Birdemic), unintentionally, painfully unfunny (White Chicks), so bad they’re depressing (Transformers), and so on. But the most rewarding terrible movies are those we know as “so bad they’re good” — entertaining in their sheer incompetence, best braved in numbers, where the ham-fisted dramatics and tin-eared dialogue become fodder for years of random quotes and inside jokes. And in this spirit, Flavorwire brings you the latest installment in our monthly So Bad It’s Good feature: the greased-up ‘80s buddy cop epic Tango & Cash.
Over the holiday weekend, Martin Scorsese directed a new film featuring his longtime collaborator Robert De Niro, his current collaborator Leonardo Di Caprio, and Brad Pitt. But don’t mark your calendars just yet to see Jimmy the Gent, the Wolf of Wall Street, and Aldo Raine face off under Scorsese’s direction on the big screen — it was all for a commercial. Well, to be clear, it’s a “casino-themed short film” for next year’s opening of the Studio City resort hotel in Macau, China. In other words, Marty gotta eat — and the whole weird story is a nice reminder that even the most respected of contemporary filmmakers has taken on a lot of very strange jobs between his cinematic …Read More
Need a great book to read, album to listen to, or TV show to get hooked on? The Flavorwire team is here to help: in this weekly feature, our editorial staffers recommend the cultural object or experience they’ve enjoyed most in the past seven days. Click through for our picks, and tell us what you’ve been loving in the comments.