T Bone Burnett

Showtime’s ‘Lost Songs: The Basement Tapes Continued’ Might as Well Be Called ‘The Real World: Dylan Disciples’

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It’s almost always a joy, at least for this longtime Dylan fan, to watch other artists interpret the Bard of Hibbing. Many of the tribute albums, the concerts, the film soundtracks (amidst pleasant straight-ahead covers) inevitably feature artists creatively mining Dylan’s back catalog, as Joan Baez did with “Love Is Just a Four Letter Word,” or reinterpreting the canon in the spirit of Jimi Hendrix’s “All Along the Watchtower.” The resultant tracks veer close to magic.
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‘Nashville’ Is Finally Getting Country Music Right — But a Location Change Threatens to Kill Its Authenticity

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Late last week, as fan favorites like Community and Trophy Wife were getting the axe, a series in the midst of change was renewed for a third season. ABC’s Nashville has remained on the bubble between cancellation and renewal for much of its second season, as its melding of the country music business and network television continues to extend beyond just plotlines. The show has transcended commentary on country music to become both a microcosm and a mirror of that world. But in order to continue building its TV viewership among country listeners, the show must continue to shoot in Nashville — a choice that’s up for debate at the moment. The authenticity that makes the show succeed depends on it.
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