Terry Gilliam

Terry Gilliam on Monty Python’s Split: An Excerpt From the “Pre-Posthumous Memoir” ‘Gilliamesque’

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Before Brazil, 12 Monkeys, or Fear and Loathing in Las Vegas, Terry Gilliam was best known as the only American-born member of Monty Python, and his iconic artwork for the sketch group remains some of his most recognizable work. In this exclusive excerpt from his memoir Gilliamesquethe filmmaker discusses his animation style, The Meaning of Life, and Python’s decision to split. 
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The 5 Best Movies to Buy or Stream This Week: ‘Beyond the Lights,’ ‘The Fisher King’

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We’ve seen some grim weeks for new releases in the half-year or so that this column has run, but never one quite like this — I mean, seriously, try to find a movie you’ve even heard of in this sad bunch. Luckily, the week’s not a total washout, thanks (as usual) to Netflix and Criterion; the former is debuting a gripping documentary, an earnest love story, and one of Philip Seymour Hoffman’s final films, while the latter gives us a Terry Gilliam classic and a German antiwar film that you probably haven’t seen, but should.
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“It Was a Miserable Experience!” Monty Python on Making ‘Holy Grail’ and Whether They Really Do Hate Each Other

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We heard them in the hallway, chattering and joking before the Friday afternoon press conference that launched Monty Python’s takeover of the Tribeca Film Festival’s second weekend. The festival folks were keeping the surviving members of the iconic British comedy troupe busy that weekend: after the press conference, they had a 40th anniversary screening of their classic Monty Python and the Holy Grail Friday night, a Saturday afternoon premiere of the new documentary Monty Python: The Meaning of Live (chronicling their smash reunion shows at the O2 arena last year), and revival screenings of The Life of Brian and The Meaning of Life. So in light of all that activity, the question that drifted into the room got a laugh: “What are we selling?” As did Eric Idle’s guess: “Ice cream? Cocoanut ice cream?” Or, as John Cleese would eloquently put it early in the press conference, “It’s very simple, it’s economic: Now that we’re no good any more, we’re trying to squeeze every last penny out of the days when we were able to do it.”
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