Pot-smoking and pop-culture consumption go hand in hand: do the former, and you run the risk of only wanting to partake in the latter. So it makes some sense that pop culture has taken ample advantage of pot. At its funniest, it’s given us the stoner comedy of Richard Linklater, the Coen Brothers, Amy Heckerling, and Ilana Glazer and Abbi Jacobson. At its trippiest and most philosophical, it yielded some of the greatest art of (and set in) the ’60s and ’70s, from The Beatles to Dylan, Fear and Loathing to Inherent Vice. Then there are the more lively party-stoner creations, represented here by hip-hop touchstones The Chronic, Missy Elliott, and The Beastie Boys. Farther afield, we get the inadvertent stoner favorite, a diverse subset that ranges widely, from Adventure Time to David Lynch’s Eraserhead. Each of these categories is well represented in Flavorwire’s Stoner Canon, which we’re proud to present in celebration of… Read More
The Beastie Boys
The controversy over Robin Thicke’s odious “Blurred Lines” is going to be one of those stories that just runs and runs, by the looks of it — just when everyone had started to forget about it, there was the whole VMAs debacle to remind everyone of the song’s unpleasant lyrics and general air of rapeyness. Apparently a student union in Edinburgh has banned the song completely, a move that raises all sorts of questions over the efficacy and ethics of censorship, but whether or not you support expunging it from the airwaves entirely, there’s no doubt that its take on sexual politics is thoroughly questionable. Still, there’s a whole lot of other songs you hear almost as often that are even more troubling. Like these ones, for instance.
… Read More
In the course of writing about the director’s cut of the “Heart-Shaped Box” video yesterday, we came across a pretty great behind-the-scenes photo of Nirvana hanging out on set with the woman who appears in the video wearing a terrifying skinless fat suit. We’re very partial to such images here at Flavorwire, and we got to thinking that there must be more out there on the Internet. And indeed there are — so here’s a selection of some of the… Read More
Paul Thomas Anderson has reunited with Fiona Apple for the video for “Hot Knife,” the second single from last year’s The Idler Wheel…. It’s the latest episode in a long creative relationship between the two, and it got us thinking about similar connections between directors and musicians — specifically, noted directors and the musicians who’ve served as their muses over the years. Here’s a selection of the most… Read More
Yesterday, Buffalo-based band Lemuria released the video for their new single “Scienceless.” It’s based around a sort of pre-apocalyptic end-of-the-world party, with the band welcoming an alien invasion by partying like there’s literally no tomorrow. It’s pretty great, actually, and it got us thinking about some of the other interesting parties that have featured in music videos over the years — straight-up pool parties are dime-a-dozen, obviously, but these videos are rather more interesting than that. Well, hopefully, anyway.
… Read More
If you aren’t already, it’s time to follow The Mountain Goats’ John Darnielle on Tumblr — his blog is as witty and entertaining as one might expect, and he updates it fairly frequently. In particular, it was interesting to see him recently post a photo of a very young version of himself at a Nick Cave show. It turns out he’s quite the Cave fan, and that seeing The Bad Seeds play on the tour in question was quite the formative experience on both Darnielle himself and on his nascent musical project. He’s not the first musician to be inspired to form a band after seeing a hero play live, of course — so here are some other recollections of great musical… Read More
In an interesting cosmic coincidence, this week marks notable anniversaries for two of the more significant debut albums in the world of rock ‘n’ roll: 25 years ago yesterday, the Pixies released Surfer Rosa, while 50 years ago today, the Beatles released Please Please Me. Perhaps the most interesting thing about this is the contrast between the quality of the records — Surfer Rosa was a fully realized artistic vision, while Please Please Me only hinted at what the Beatles would go on to achieve. Still, the Fab Four are in pretty good company as far as bands who overcame relatively unimpressive debut albums go. As these ten records prove, there’s hope for everyone!
… Read More
As we reported last week, Gaspar Noé — the man responsible for the French films Enter the Void and, shudder, Irreversible — has directed the video for the rather excellent new Nick Cave and the Bad Seeds single “We No Who U R.” The video is rather restrained by Noé’s standards, but it fits the song beautifully, and it got us thinking about other well-known directors who’ve moonlighted in making music videos. There have been plenty over the years, some triumphant, some rather less so — so here’s a selection for your viewing delectation! Marvel, giggle, shake your head in despair, and then let us know if we missed any.
… Read More
The latest twist in the, um, unusual career of Lil B is his unlikely metamorphosis into a based rock god. The rapper unveiled his new guitar-toting incarnation earlier this week with the video to a new song called “California Boy,” in which he wanders around Guitar Center in LA and confesses his love for a terrified-looking passing lady. We have to be honest here: the song’s pretty terrible, making it the latest in a long line of ill-advised rap/rock crossover ventures. Not every rapper deciding to make a rock song/album has met with disaster, but plenty of them have — so we thought we’d make a handy primer of which such ventures to investigate, and which to avoid like threatening rabid animals.
… Read More