Wherein we shamelessly plug this panel discussion on All In with Chris Hayes, which includes film editor Jason Bailey, Jezebel managing editor …Read More
Last week, I was reading (and enjoying) Patton Oswalt’s new book Silver Screen Fiend, a memoir of his four-year film addiction, which occurred as he was simultaneously finding his footing as a comedian. In describing the latter progression, he writes: “I’d spent the first nineteen years of life memorizing every comedy album I could play on my parents’ turntable. I knew the exact timing for the pause between the words ‘waited’ and ‘July’ in Bill Cosby’s ‘Revenge’ routine.” That line, the first of several examples of his comedy obsession, jumps out and jars — due, of course, to timing beyond Oswalt’s control. The book was presumably put to bed long before the accusations of Cosby’s decades as a serial rapist resurfaced last fall; the line serves as a reminder not just of his vaunted position in the comedy community, but of how slow that community has been to react to the accusations. This week, the tide began to turn, first with Tina Fey and Amy Poehler’s jaw-dropping Cosby jokes in their Golden Globes introduction, then with a candid conversation the next day between Judd Apatow and Marc Maron on Maron’s WTF podcast.
Your Golden Globe awards aired last night, and there was plenty to talk about, but who’re we kidding: as per usual, the main attraction was Tina Fey and Amy Poehler, doing a yeoman’s job in their third (and reportedly last) go-round as Globe hosts. But if you clicked away for THAT EPISODE of Girls, or didn’t feel like sitting through three hours of self-congratulation for their 15 minutes of comedy, we’ve got you covered: here is our exclusive supercut of the Tina and Amy stuff, aka just about all you really need to see.
The early theme of the 2015 Golden Globe Awards was one of diversity. Hosts Amy Poehler and Tina Fey set a tone of irreverent feminist fun. Of course there were exceptions and dud moments — this is a Hollywood awards show, after all. But with heartfelt shout-outs to gay AIDS victims, rape survivors, civil rights activists, trans people, authentic women characters, and stars’ romantic partners of all stripes punctuating the night, it felt like the notoriously boozy telecast had, at least in some respects, finally caught up with its diverse …Read More
The Hollywood Foreign Press Association’s Golden Globe awards go out Sunday night, and who’re we kidding — we’re all watching for the show (Amy and Tina! Drunken celebrities! Much revelry!) and not really for the awards, which are not only unreliable as Oscar and Emmy prognosticators, but often the result of stargazing and hobnobbing rather than actual critical analysis. But if you are one of the poor souls who keeps track of this stuff, we humbly offer up our picks from the films and television shows on the HFPA ballot — and our very best (sometimes wild!) guesses as to who they’ll actually recognize.
After the display of inhumanity (a stupid word, really, for something really just describing a frightening human capacity for favoring ideology over human life) — by gunmen who broke into the Charlie Hebdo offices in Paris and took the lives of 12, injuring many more — the whole day seemed underscored by the sickening notion, as we’d seen recently with the Sony Hacks, that comedic criticism is becoming more and more of a life-threatening undertaking. Atlantic writer Peter Beinart drew parallels between these recent instances of media-centric terrorism, while also addressing the fact that the antagonizing forces in both cases have not officially been identified. Over at Slate, there’s an article on the importance and evolution of the political cartoon in France. Celebrities such as Salman Rushdie and Tina Fey have also voiced their concerns on the state of free speech, as well as their vehemence about protecting it.
In the first-season 30 Rock episode “Fireworks,” Liz Lemon and would-be beau Floyd fall asleep watching Tootsie. In their morning discomfort, Floyd awkwardly announces, “I, uh, I think Tootsie’s a very well-crafted movie.” Liz, equally uncomfortable, replies, “Yeah, they use it as an example in all the screenplay books.” As with the best of that show, it’s a moment that’s funny because it’s true — in this case, it’s literally true, Tootsie is a very well-crafted movie. But praising it solely for craft also shortchanges it a bit. The further we get from Tootsie — which is available for fresh consumption via Criterion’s recent DVD and Blu-ray special edition — the more it seems clear that it may, in fact, be the single finest comedy of all time.
It’s hard out there for a teenager. It’s even kind of hard out there for those of us who used to be teenagers — especially in these back-to-school months, when the nostalgia comes creeping up like those floods we used to wear and never, ever should again. But you know who was probably even stranger than you in high school? Your favorite cultural icon. Or maybe not — as is only to be expected, some had joyful (and/or prank-filled) teenage years, some suffered tragedies, some were completely weird, some were popular, and some deserve our respect for even getting through. Click through to read 50 cultural icons on their teenage …Read More