tune-yards

Yoko Ono Collaborates Again On New Album ‘Yes I’m A Witch Too’

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Today has been quite the day for album release news: apart from the unexpected tidings of a new Dr Dre album, there’s also news that Yoko Ono is releasing a follow-up to her 2007 collaborative album Yes, I’m a Witch. The new album — to be released in January 2016 —is entitled Yes, I’m a Witch Too (get it?), and features collaborations with tUnE-yArDs, Death Cab For Cutie, Portugal The Man, Miike Snow and many others.
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“Because the Night” Belongs to Vivian: Links You Need to See

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Did you know Patti Smith’s “Because the Night” — arguably one of her most accessible pieces — actually began as a Bruce Springsteen song that he wrote and rejected? The A.V. Club, in their column “Hear This,” has this week set its focus on songs written by men that women interpreted better. Check it out for more on how Patti Smith vitalized, morphed and rewrote Springsteen’s sloppy seconds and made “Because the Night” one of the most memorable rock ballads of the 70s. 
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The Ultimate Roadtrip Soundtrack

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Although it’s tempting to bump Beyoncé all the way, we’ve rounded up some excellent new tunes to soundtrack your summer roadtrip. Whether you’re going upstate, down-shore, or cross-country, you can press play on these tracks for a refreshing summer playlist. Once you’ve got these contenders for “song of the summer,” check out Flavorpill’s exclusive Summer Guide for our top picks of awesome things to do this summer.
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tUnE-yArDs’ ‘Nikki Nack’: The Polarizing Masks of Merrill Garbus

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Midway through tUnE-yArDs’ new album Nikki Nack, an interlude splits the album in two. Merrill Garbus adopts a belch-like voice and proselytizes the benefits of eating “tots.” At first you assume tater; turns out she means children. This interjection recalls her puppeteer days and echoes her self-branding as the wacky pedagogue. Critics have deemed this one of Garbus’ most egregious missteps on Nikki Nack, but after a few irksome listens, it actually strikes up a dialogue regarding Garbus’ bold, perplexing, and sometimes controversial qualities: she’s a favorite among “cool” lovers of experimental pop while embodying the “uncool” extroversion of stereotyped thespians. In a similarly contradictory fashion, critics don’t know whether to critique her for her appropriations of African pop or to laud her for paying homage to it. It’s in these juxtapositions that Garbus’ vision lives.
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The 10 Albums You Need to Hear in May

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If you’re not listening to something new this May, do me a favor and ask yourself this: do you even like music? That’s how jam-packed the month is with new albums. It was difficult to pick just ten, so our “also out” section on the last page really is worth your time. Let’s start with the beginning of the month and work our way toward June.

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