Tyler Perry

Stop Calling David Fincher a “Control Freak”

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As you may have heard, David Fincher’s terrific adaptation of Gillian Flynn’s bestseller Gone Girl premiered last weekend at the New York Film Festival. So your film editor was perusing some of the coverage of that premiere, like ya do, when I came upon Anne Thompson’s analysis of the “Three Reasons to Worry About Gone Girl.” She mostly examines the film’s chances at box office success and Oscar gold (ugh), but this is the line that jumped out at me: “Fincher was being typically controlling during the press conference, exhorting the press to hide Gone Girl plot spoilers — while the bestseller is still flying off bookshelves — and refusing to allow anyone to record the NYFF press conference.” It’s not often that you see three consecutive inaccuracies in the same sentence, but that’s what happens when you have to conform your facts to a preexisting narrative — in this case, that Fincher is some sort of cruel, demented control freak. It’s a narrative that’s been floating around for a while now, and the more you think about it, the sillier it is.
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David Fincher’s ‘Gone Girl': Top-Shelf Mystery and Pitch-Black Comedy

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David Fincher’s adaptation of Gillian Flynn’s Gone Girl opens not with an abduction or a murder, but with Nick Dunne (Ben Affleck), in voice-over, talking about his wife’s head. “I picture cracking her lovely skull, unspooling her brains,” he says, over a close-up of the cranium in question. “Trying to get answers: What are you thinking? What are you feeling? What have we done to each other?” This is how the movie begins; this is what it’s about. Gone Girl may come advertised as a thriller, but that’s Fincher being a trickster—he’s gone and made the curtest, nastiest, most acidic black comedy about the marital accord since The War of the Roses.
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25 Must-See Movies For the Fall

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Hey there reader, been to the movies lately? If the box office reports are any indication, I’m guessing not — and who can blame you? We’re currently in the weird dead zone between the tentpole blockbusters of the summer and the prestige, Oscar-friendly pictures (and, increasingly, tentpole blockbusters) of the fall. But relief will be here soon enough, so in the interest of helping you mark up your movie-going calendar, we’re looking ahead to the fall films we’re anticipating most.
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The 12 Oscars 2014 Moments Everyone Is Talking About

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Seeing as how they clocked in at a back-breaking three hours and 34 minutes, you could be forgiven for checking out of the 86th Academy Awards ceremony early (or frankly, passing on it altogether—I mean, how about that episode of True Detective?). But don’t worry, we’ve got you covered; your Flavorwire sat through the whole damn thing, and put together the dozen moments that blew up the Twittersphere, burned down our Oscar parties, and will be on everyone’s tongues for a good, oh, 12 hours …Read More

The Most Batshit Insane Twist Endings in Movie History

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This week marks the DVD and Blu-ray debut of Safe Haven, the critically drubbed Nicholas Sparks adaptation starring that girl from Dancing With the Stars and that dude from the Transformers movies. Normally, this would not be worth noting! But there’s something else that’s special about Safe Haven: it’s got one of the most utterly bananas crazy “twist” endings you’ve ever seen. Ever since The Usual Suspects blew everyone’s mind in ’95, and The Sixth Sense followed suit four years later, moviemakers have been trying their damnedest to create shocking third-act reveals that change everything we’ve seen before, and send us out of the theater reeling. Instead, most of them are befuddling, laughable, or just plain stupid. Here are a few examples (with a rather obvious spoiler alert).
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