U2

Watch a Boa-Clad Javier Bardem Do a Suggestive Dance All Over Bono

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Despite having played a wide variety of roles, Javier Bardem is perhaps most known for his haunting performance as destruction in human form in No Country for Old Men. If you cannot purge this affiliation while watching a new video of the actor crashing the stage at a U2 concert, you’re in for a disturbing viewing experience. In fact, even if you can purge these affiliations, the zealousness of Bardem’s performance will still make you feel a little uneasy, if also impressed.
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“The Shadow State Is Not Really a Shadow State”: How Surveillance Anxiety Is Shaping Pop Culture

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Someone is always watching.

For the longest time, that idea underpinned grim visions of a totalitarian future in books and movies, from Nineteen Eighty-Four to The Hunger Games — cautionary tales about the fate awaiting a citizenry that allows itself to be deceived by the people in power.

Then the future arrived, and it turned out those bleak fantasies of an all-seeing surveillance state weren’t so farfetched: in the post-9/11 world, someone really is watching, be it Facebook mapping your life’s history for the sake of advertising dollars, or the National Security Agency keeping tabs on your phone calls and text messages in the name of freedom.
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2014: The Year Music Actually Did Something About Its Tech Skepticism

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U2 force-fed their new album to the world for free and ended up the enemy. Taylor Swift took hers away and ended up a hero.

Swift changed her narrative in 2014, and it wasn’t about ditching country or dating out of the public eye. She became the face of skepticism over how technology has changed music, during a year when the streaming music economy was debated more than ever — not only among artists, whose wellbeing is affected greatly, but in the court of public opinion as well.
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Taylor Swift, Steve Albini, Spotify, and the Fruitless Quest for a Music Industry Savior

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If you ever need a reminder that all those rose-tinted remembrances of the pre-internet music industry do not account for the full story, look no further than Steve Albini’s seminal 1993 essay for The Baffler. It’s called, simply, “The Problem With Music.” In it, Albini details the flaws of the major-label music system in actual numbers and simple math — something that’s not done often enough in trade and consumer publications alike when it comes to how musicians actually make their money.
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