What’s the best thing to do when you’re not digging for vinyl? Look at photos of musicians digging for vinyl, of course. Voices of East Anglia featured a few great pictures of stars during the 1960s hanging out at record emporiums, and we wanted to add our own contribution to the collection. Click through to see your favorite musicians in the wild, with… Read More
We’ve admired the work of Robert Penney (Penney Design) and his pixilated reimaginings of The Beatles’ Abbey Road before. His latest project recently caught our attention on Retronaut. The designer took modern singles — like Lady Gaga’s “Poker Face” and “What A Waster” from English band The Libertines — and gave them a retro makeover à la 1957 and 1965. The creases, LP impressions, and faded 7″ artwork add to the effect, and we wish there were about a dozen more of these to gawk at. Penney wins bonus points for creating a 1980s-era Thom Yorke and new The Eraser cover, which looks appropriately Bowie-riffic. … Read More
We recently explored a photo survey of video stores that have faded to black since the digital marketplace takeover, which got us thinking about other ephemeral media. Just a few weeks ago it was reported that Times Square record haven Colony Music — founded in 1948, and with an inventory of more than one million LPs — would be closing its doors. Colony is one of many large chain music stores and indie record shops that have called it quits since the rise of high def formats, web retailers, and the popularity of digital downloading. It’s a phenomenon that’s being explored in documentaries like Last Shop Standing — about the rise, fall, and rebirth of indie record shops in the UK — which hits DVD today. (The filmmakers are encouraging audiences to purchase the movie locally.)
If you grew up ritualistically hunting for vinyl or cassettes and relied on knowledgeable record store employees for recommendations à la High Fidelity, you’ve definitely been feeling the pangs of loss as these stores quickly collapse around us. Click through our gallery of abandoned record shops — including several landmark stores — to remember the fine art of crate digging and the passionate music communities that made them awesome. … Read More
Sleeveface is a simple concept: grab your favorite album from your vinyl collection (preferably with the artist’s portrait on the cover), position yourself behind the LP so that your body lines up perfectly with the image, and snap a photo. The phenomenon became so popular that Welsh DJ Carl Morris and his collaborator John Rostron even published a collection of the best photos — Sleeveface: Be The Vinyl. They also host a website where you can submit your own sleeveface. There’s some debate about who actually created the first one, but some say it started with Huey Lewis and the News’ 1982 album Picture This, which boasted a Huey sleeveface. Click through to see who took on the Bee Gees, David Bowie, Amy Winehouse, and more. … Read More
Now that Bond-23 has a villain in the form of ultra sinister Javier Bardem — a palpably menacing presence in the Coen brothers’ No Country For Old Men — we thought it seemed like a ripe time to look back at some of the best of Bond. The allure that exudes from the thrill-seeking British Secret Service agent with a penchant for gorgeous girls and vodka martinis is obvious, but his fiendish foe is always one of the most highly anticipated roles in each new installment. Another significant legacy of the series, however, is its music and unmistakable theme — sounds indelibly associated with the late maestro, John Barry.
The English composer’s work is synonymous with 007, and Goldfinger boasts one of the boldest and brassiest title numbers in the superspy’s songbook. Shirley Bassey performed the theme tune, which topped the Billboard charts during its heyday. One of the box office hits of 1964, the movie’s most iconic and recognizable image is Shirley Eaton’s sultry character, Jill Masterson, covered head-to-toe in gold paint and cast on a bed in morbid repose. The popularity of the image was so great, that it even made the cover of Life magazine that year. It also graced the cover of many a Goldfinger LP, a unique collection of which are shared below. Revisit Pussy Galore, Sean Connery’s cheeky smile, and other Goldfinger favorites in record form after the jump. … Read More
Just think: kids being born today will probably never see the inside of a record store. And why would they? Buying music used to involve wandering around a store browsing, picking things up based on cover art, putting them down based on scornful glares from record store employees, and generally being outside your house. Now, buying music usually amounts to nothing more than a click of the mouse from the safety of your couch. So we were filled with nostalgia and warm feelings when we saw this series of vintage photographs of British record store HMV in the 1960s over at Vice. The rows of records! The milling consumers! The record players! That was the life. Click through to see how much things have changed, and then head over to Voices of East Anglia to see even more photographs from the series. … Read More
From Frank Sinatra to Foo Fighters, Five Hundred 45s: A Graphic History of the Seven-Inch Record chronicles more than half a century of vinyl-single art, all reproduced at original size.
Compiled and written by album designers Spencer Drate and Judith Salavetz, the book groups its 500 subjects thematically, rather than chronologically. Collectively, the images represent the best use of art, illustration, photography, and typography in the packaging of an analog format that has survived through the digital revolution. … Read More