It’s been easy for me to say “let’s listen to Dylan Farrow and Bill Cosby’s accusers without discounting these men’s previous important body of work” up until now, since neither of them has made anything critically acclaimed in the few years since Blue Jasmine.
Frankly, I’ve been relieved every time Woody Allen’s new play or film has been declared forgettable at best, because it gets me off the hook. Bad reviews mean I don’t have to choose between my appetite for art and my feminist ideology. I had the same reaction to the cancellation of Cosby’s upcoming show.
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Amazon Studios is continuing its trend of putting out a billion shows a year, most with notable names attached. It… Read More
Phylicia Rashad is saying that she has been misquoted, that she never said — as was widely reported — “forget those women” when speaking about her TV husband Bill Cosby’s long (and growing) list of accusers.
Instead, she clarifies by saying basically the same thing, with a different emphasis. She wants people to consider the man’s cultural legacy, and not see it ruined. “He’s a genius. He is generous. He’s kind. He’s inclusive,” she explained on an ABC interview. “What I said is, ‘This is not about the women.‘ This is about something else. This is about the obliteration of legacy.’”
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It was a wave of protest too striking to be ignored: professional athletes donning T-shirts to pay tribute to young black men killed by the police — and demand justice for their killers. In Cleveland, the T-shirt worn during warm-ups by Browns player Andrew Hawkins last weekend named two local young men who both had been holding toy guns when they were mowed down by cops, John Crawford and Tamir Rice. Hawkins wore the shirt in honor of his small son. This is how the police behaved in both those incidents: John Crawford’s girlfriend was interrogated until she broke down in tears, before she even knew of her loved one’s death. Tamir Rice’s sister was handcuffed and put in the back of a paddy wagon while her brother lay dying.
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The moment he dropped his 1996 breakthrough stand-up special Bring the Pain, Chris Rock was dubbed the heir apparent of Richard Pryor, one of the few comics on the scene to approach the king’s potent mixture of social commentary, personal confession, and performative brilliance. But that wasn’t all they had in common; Pryor spent most of his film career failing to find a vehicle that captured his unique gifts, and Rock has experienced much of the same struggle. “Richard Pryor has two good movies out of 30 or 40,” Rock told Rolling Stone. “Rodney Dangerfield had one. So it’s easy to look at history and go, ‘Maybe I’m not going to get one’… But I guess you’ve got to make your own history.” And Rock has done just that with his new film Top Five, writing, directing, and starring in a picture that plays like a cross between Stardust Memories, Funny People, and Before Sunset, but refracted through the prism of Rock’s distinctive comic sensibility. So why did it take him so long to make a movie worthy of his talent?
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It all started with the T-shirt below, which exhibits a feminist appropriation of an Ayn Rand quote. Big news! Détournement! Or is it? It seems that the original phrasing was twisted a little — edited, if you will — into the form you see on the shirt. The words on the shirt, in other words, are not the words in the book. The quotation on the T-shirt is a misquotation.
But any curmudgeon can hurl a list of misquotations at the reading public. Instead, we’ve decided to gather a list of items featuring misquotations that you can buy right now, just in time to round out your misquotation wardrobe or library this holiday season.
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Attention cinephiles: your new must-have Blu-ray box set is Criterion’s Jacques Tati Collection, which assembles the six features and seven shorts of the exquisite French comic writer/actor/director, offering an immediate refuge from the cruelties of this ugly world. The first of them, the disarmingly lovely Jour de Fête, was released in 1949, which also makes Tati a bit of an anomaly: a performer leaning far more on physical than verbal comedy, yet working well within the sound era. The introduction of sound in the late ‘20s was, among many other things, a demarcation line for screen comedy: most of the silent icons struggled to make the transition (or chose not to make it at all; Chaplin was still making mostly-silent movies like Modern Times in 1936), as studios rushed to fill their talking pictures with talking comedians from the Broadway and vaudeville stage. But a few comic actors through the years have managed to preserve the invaluable comic tool of silence, even as sound raged around them.
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Hollywood is famous for its treatment of writers. They are the low man on the totem pole, the person banned from the set, the guy who wrote the Great American novel drinking himself to death in Los Angeles, rewriting dumb scripts. It’s funny, as Hollywood is also obsessed with portraying “writers” on screen. Flavorwire’s definitive, ranked list of the 50 Best Films About Writers of all time features the requisite mix of biopics, book adaptations (what’s up Stephen King and John Irving), foreign films that actually feature female writers, po-mo meta surrealist studies of madness (very frequent), and the works of Woody… Read More
Everybody loves a good book. Yes, everybody — even the rich, famous and culturally relevant. And since there’s nothing better than a book recommendation from someone you already idolize, why not check out which ones they count as their favorites? Maybe you’ll wind up finding out that you have even more in common with Lady Gaga than you thought. Click through to find out which books your favorite cultural icons, from Bill Murray to Joan Didion to Nas, love best — and get to padding that reading… Read More