YouTube

The Oscars, Orgasms, and Other Secrets: Links You Need to See

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Ah, the Academy of Motion Picture Arts and Sciences, that tricksy little hobbit. The shortlist of Oscar nominees released this morning made it clear that it would take a modern-day Alan Turing to decode the mysterious workings of the collective mind of the Academy (The Imitation Game, incidentally, managed to score eight Oscar nods). I can’t even talk about the injustice that is the Academy’s decision to leave Ava DuVernay out of the Best Director race. And The Lego Movie snub! Well, I’m ambivalent about that one, to be honest, but my Twitter feed tells me it is an outrage.
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YouTube Megastar Zoella’s Record-Breaking Debut Novel Was Ghostwritten, But Fans Don’t Care

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In the beginning, there was YouTube. Then, a little later, there was Zoë Sugg, a young woman with a dream. When those two things merged, they formed Zoella, vlogger extraordinaire, lover of all things “Beauty, Fashion, & Life.” Next came fame and fortune and millions of YouTube subscribers and Twitter followers. Finally, last month, Zoella’s new novel arrived. It is titled Girl Online, and now it’s the fastest-selling debut novel of all time.

But! Last weekend, Sugg’s publisher, Penguin Random House, admitted that the novel was “factually” not written by Sugg. “To be factually accurate you would need to say Zoe Sugg did not write the book Girl Online on her own,” they said. Then, on Twitter, Sugg, admitted that the novel was ghostwritten by committee. And not just a little bit ghostwritten. The entire thing, as it turns out, was ghostwritten, except for the ideas for the characters and the story. Here is Sugg’s “confession”:
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Taylor Swift, Steve Albini, Spotify, and the Fruitless Quest for a Music Industry Savior

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If you ever need a reminder that all those rose-tinted remembrances of the pre-internet music industry do not account for the full story, look no further than Steve Albini’s seminal 1993 essay for The Baffler. It’s called, simply, “The Problem With Music.” In it, Albini details the flaws of the major-label music system in actual numbers and simple math — something that’s not done often enough in trade and consumer publications alike when it comes to how musicians actually make their money.
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An Afternoon Drink With ‘My Drunk Kitchen’ Star and Cookbook Author Hannah Hart

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Hannah Hart may have a YouTube show-turned-small media empire and brand new cookbook called My Drunk Kitchen, but over the course of a hour-long interview at Tom and Jerry’s bar in Soho, she wasn’t sipping anything. True to the ethos of her show, she may have looked like the biggest lush in the room, with two red-hot cocktails (because cocktail number one got spilled and the bartender made her another) and a ginger beer sitting in front of her. But she didn’t take a sip, and wasn’t particularly interested in the drink. She was too busy talking and joking.
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Where to Start with the 13,000 Concert Videos in YouTube’s Music Vault

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Last week, YouTube announced a partnership with Music Vault that brought thousands of remastered, high-quality live performances to the platform. More than 13,000 of these concert clips, to be exact, spanning every rock legend of the last 50 years all the way to modern indie favorites (and even a baffling amount of Limp Bizkit.) No longer will late-night YouTube rabbit-holes be relegated to lo-fi bootlegs or shaky cell phone footage, huzzah! The partnership marks an initial step in YouTube’s increased interest in the music space.
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