Few shows this fall — or in anything resembling recent memory, really — have premiered with the kind of ballyhoo that’s accompanied Marvel’s Agents of S.H.I.E.L.D. A television spin-off of the über-profitable cycle of Marvel film adaptations that culminated in last year’s The Avengers, S.H.I.E.L.D. plays like a direct sequel to that movie, with Clark Gregg’s Agent Coulson resurrected for starring role and a “special guest” appearance by Cobie Smulders’ Agent Hill. Most importantly, last night’s debut episode was directed by The Avengers’ Joss Whedon, who co-wrote (and co-executive produces) the show with brother Jedd and sister-in-law Maurissa Tancharoen, with whom he previously collaborated on Dollhouse and Dr. Horrible’s Singalong Blog. Alas, in spite of those credentials and a few other friendly faces (hiya, Ron Glass!), Agents of S.H.I.E.L.D. is not the Next Great Joss Whedon Show — at least, so far. … Read More
Whedon-ites, plan your Florida pilgrimages now. The Universal Orlando theme park is working with Cabin in the Woods co-writer/director… Read More
As you’re enjoying that Netflix stream of The Avengers, the first question you’d ask might not be, “How exactly would the New York media cover this?” But luckily for you, graphic artist Kimba McG did ask that question, and the result is her MediAvengers project, in which she works up inventive covers and spreads for magazines and newspapers’ imagined coverage of the superhero crew — from Time and the Times to Forbes and US. Check out a few of her best after the jump, and swing by her Tumblr and Facebook page to see more. … Read More
Welcome to “Like That? Watch This,” a regular feature in which Flavorwire suggests an older film that might be enjoyed by fans of a popular new release. This weekend, everyone was sharing the love for Joss Whedon’s modernized adaptation of Shakespeare’s Much Ado About Nothing; if you liked that film’s clever updating of the Bard’s classic (or if it hasn’t made its way to your town just yet), you might like Michael Almereyda’s 2000 adaptation of Hamlet.
The late ‘90s and early 2000s saw a mini-boom of Shakespeare updates at the multiplex — some merely swiping story elements and loose narratives, others transposing the Bard’s language into a modern setting. The impetus for the boomlet was the unexpected box office success of Baz Luhrmann’s 1996 Romeo + Juliet, which made over Shakespeare’s tragedy into tale of warring businesses and trigger-happy beach bums. … Read More
Joss Whedon’s delightful, modernized adaptation of Much Ado About Nothing is out today, and while the writer/director certainly has plenty on his plate — another Avengers, that S.H.I.E.L.D. series, more Dr. Horrible (let’s all just will that into existence) — he adapts Shakespeare so well that there’s already talk of him returning to the Bard. “There are other things I would love to accomplish,” he told the Austin Chronicle, “but doesn’t want to do Hamlet? Hamlet and Twelfth Night are probably the two contenders.” For those of us who love both Joss and Shakespeare, the idea of continuing mash-ups is a delicious one — particularly since it’s safe to assume he’d continue casting actors familiar from the “Whedonverse.” And thus, a few suggestions for other Shakespeare plays ripe for the Whedon treatment, and who might best fill their roles. … Read More
Acclaimed filmmaker and Buffy mastermind Joss Whedon hosted a screening of his newest film, a black-and-white, contemporary interpretation of Shakespeare’s Much Ado About Nothing, last night at the always excellent Brooklyn Academy of Music. The movie, shot in 12 days at Whedon’s house, is fantastic, its tiny budget and time frame giving the final result the energy of a live performance, with superb acting (particularly on the part of Whedonverse favorites Amy Acker and Alexis Denisof, not to mention a hilarious Nathan Fillion) and elegant, generous directorial choices. This is a filmmaker who loves his audience — and it comes through in everything he does. After the screening, Whedon hosted a Q&A where he discussed what still excites him about TV, how a love of dance has inspired him to consider making a ballet about a library, and how Shakespeare’s Claudio is basically Michael Scott. … Read More