Burning car crashes, male geishas, stray dogs like wolves, girls running through rubble — since the 1960s, noted photographer Daidō Moriyama has been shooting gritty, high contrast, black-and-white images in Japan’s Shinjuku district iconic. Inspired by Andy Warhol’s newspaper silkscreens and the writings of Jack Kerouac and Yukio Mishima, Moriyama’s winding urban wanderings show snippets of cultural conflict in post-war Japan — Westernization, consumerism, ’80s fashion. See Shinjuku — home of the world’s busiest train station, a red-light district, and major government and commerce centers — filtered through Moriyama’s radical aesthetic of are, bure, boke (grainy, blurry, out-of-focus) at Fracture: Daido Moriyama , on view now through July 31st at the Los Angeles County Museum of Art. Wander the labyrinth in our slideshow of favorites and see who’s around the corner.
Photo credit: Daido Moriyama, Untitled (woman in white dress running), 1971
Photo credit: Daido Moriyama
Photo credit: Daido Moriyama
Photo credit: Daido Moriyama
Photo credit: Daido Moriyama
Photo credit: Daido Moriyama
Photo credit: Daido Moriyama, Kagerou (Mayfly), 1972
Photo credit: Daido Moriyama, 1969
Photo credit: Daido Moriyama, Tokyo, Japon, 1984
Photo credit: Daido Moriyama, Untitled (male geisha), 1968
Photo credit: Daido Moriyama
Photo credit: Daido Moriyama, Beauty Parlor, Tokyo Daido Moriyama, 1975
