Amid the usual “clean” (despite all the scuff marks) white modernism at International Contemporary Furniture Fair this year was a new trend I’ll call woodwashing. It’s basically 1970s rustic den meets 2000s eco-luxe. We’re taking shelter from a torn-up world in a time when — we imagine — things weren’t so bad. Hence all the Victorian era–themed restaurants out there and the ubiquitous hunting lodge deer antlers of a few years ago. This year, we reached the apex, surrounding ourselves with so much lumber (“warm” is 2009’s design buzzword, replacing “sleek”) that ICFF looked like a Home Depot back lot.
It’s pretty, but the aesthetic banks on wood’s inherent charm and dispenses with all the quirky details that make it interesting. Knot-free planks with perfect grain are stunning once. After a roomfull, they’re as bland as stainless steel. I spent last weekend chopping logs in Vermont. I’m not saying I’m an expert, but taking an axe to a chunk of tree is a better way than any to get intimate with the material. You learn what cuts well and what doesn’t, where to cut and where not to, what burns well and what doesn’t. Every log splits differently, even from the same tree.
Shimna, my favorite exhibitor this year, knows that. The wood they get is from a family-run mill in Pennsylvania. They get the off-cuts, the weird, knotty, sap-colored pieces most furniture makers would mulch, and turn them into totally unique tables, beds, and dressers. A coffee table I saw had a walnut trapped in a swirl of grain — it must have gotten stuck in a joint one fall, and the tree just grew around it. It’s a welcome change from the uniform chocolate browns of a place like Bernhardt Design, and Shimna isn’t alone. Local favorites Scrapile mix and match scrap lumber into zebra-striped patterns.
Uhuru had a table made out of police barricades — upcycling and sticking it to the man at the same time? Jack Larimore uses reclaimed lumber from junked Philadelphia buildings. It’s trash into treasure, and a sign that great design can come from the humblest of places.
6 Responses
Great information! I can see how that wood style can add a unique flare to any piece of furniture.
They've got wood.
Hey this is Uhuru. We would love to take credit for the awesome piece of furniture made from reclaimed police barricades, But it was done by our friend and brooklyn local furniture designer Palo Samko.
[...] Fair, wood was featured prominently; sort of a dukied-up minimalist meets 70s rec room look. (via Flavorwire) Nora says it reminds her a lot of the aesthetic you find in contemporary Canadian furniture [...]
It's really encouraging to see the industry starting to appreciate the inherent beauty of wood and all of its idiosyncrasies. I think it's also time for us to be more mindful of the origins of our materials. I hope, however, this is not simply a "green" trend and the appreciation is sustained…likewise, I hope that all the craftspeople and artists involved aren't relying simply on the novelty of it, but rather backing it with an honest approach and enduring craftsmanship.
[...] I just posted a response to an article on ICFF this year on Flavorwire…the article is interesting and encouraging to me…see what you think! [...]