Dating back the last quarter of the 19th century, this historic building’s quirky character and inversion of exterior and interior elements was a context clearly not lost on curator Tom Eccles. We imagine he had plenty of late nights with the engineering department figuring out how to hang the whole thing from the rafters.
Neto’s work is often multi-dimensional and experiential, approaching themes of solidity and ephemerality, awe and exploration, mediation and play, and the importance of sound, touch, smell, and sound, as well as sight, in a deeper appreciation of art. In fact the noise of movement and conversation gave the structure life, adding a bit of chaos to the transporting, immersive experience; the play of light from the clerestory making it feel like a secular temple, soothing despite or perhaps partly because of all those laughing children.