Photo credit: Fulton Ryder
“Robert Frank’s New York Is originally published as an ad campaign by the New York Times in 1959 includes Mr. Frank’s photos alongside edgy captions — and although the images for New York Is are slightly subdued, some of them contain traces of work from The Americans. A minimal and beautiful object.”
Photo credit: Fulton Ryder
“Robert Heinlein’s Stranger in a Strange Land, 1961 first edition, with its striking dust-jacket. An influential book on the counterculture of the 1960s.”
Photo credit: Fulton Ryder
“Wallace Berman’s self-published Semina Two from 1957. A manually-produced magazine that was sent by Berman to friends, one of nine such issued from 1955-1964. Semina Two is widely considered the most desirable issue with collages of written work by Herman Hesse, Charles Baudelaire, Charles Bukowski and Alexander Trocchi, and with pasted-in photographs of semi abstract nude bodies. This copy retains the oft-missing printed label on the rear cover with Berman’s account of the pornography charges levelled against him by a Los Angeles judge that resulted in the closing of his Ferus Gallery show.”
Photo credit: Fulton Ryder
“Jack Kerouac’s Rimbaud from 1960 published by City Lights in San Francisco.”
“So, poets, rest awhile & shut up: Nothing ever came of nothing”
Photo credit: Fulton Ryder
“Bruce Conner exhibition catalogue from 1990 signed by the artist, because as Dennis Hopper writes in the intro, ‘Mr. Conner is important stuff.'”
Photo credit: Fulton Ryder
“Yoko Ono’s Grapefruit, English edition from 1971, signed by Yoko Ono and John Lennon.”
Photo credit: Fulton Ryder
“Danny Lyon’s The Bikeriders from 1968.”
Photo credit: Fulton Ryder
“Philip K. Dick’s Do Androids Dream of Electric Sheep?, 1968 first edition.”