The 10 Most ’90s Songs of the ’90s

Just the other day, New Radicals’ 1998 one-hit wonder “You Get What You Give” came up in conversation, and it occurred to us that, over a decade into the new millennium, the music of the ’90s is starting to sound as dated as disco did when we were kids. From cultural references to Tonya Harding, Hanson, and white kids who desperately wanted to be gangstas to zeitgeist-y topics like Gen-X disaffection and sex education, there are just some songs that unmistakably evoke the decade. We’ve rounded up what we think of as the most ’90s songs of the ’90s after the jump; keep in mind that this isn’t a list of the best tracks of the era, just the ones that are clearly the products of its preoccupations. Let us know what you’d add in the comments.

“You Get What You Give” by New Radicals

Key lyrics: “Fashion shoots with Beck and Hanson / Courtney Love and Marilyn Manson / You’re all fakes, run to your mansions / Come around, we’ll kick your ass in”

Ah, the ’90s: a time when you could proudly proclaim yourself an anti-capitalist “radical” and somehow parlay that sentiment into a major-label record deal and eternal one-hit wonder name recognition. Chumbawamba did it with “Tubthumping,” although that song is literally about nothing more than drinking a lot of different kinds of beverages, getting knocked down, getting back up again, and “pissing the night away.” New Radicals’ “You Get What You Give” more fully embodies the ’90s because the song is actually about how the kids have to stay positive in the face of rampant commercialism and celebrity culture — and also because it shouts out a handful of ’90s musicians who all turned out to have far more longevity than New Radicals. Even Hanson!

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hanson_music 5 pts

Hanson are awesome. Very talented kids. Really love their music. Here is one of their best recent songs called Waiting for This: http://www.youtube.com/watch?v=89VACbB2Bxc

 

By the way, Hanson became independent, left the major label system in order to have more creative control. 

 

Originally they were under Mercury Records which really understood their talent. When Mercury got absorbed by Island def Jam, a merger that changed the course for Hanson, Hanson just got immediately absorbed by the latter hiphop label who just didn't know how to hone them and shape them and nurture their potential. Mercury did a great job with that. Eventually Hanson left Island by choice and decided to form their own record label when they were only 18, 20 and 23. That means no more huge backing and monetary resources to promote from a major label. But Hanson just wants to play music...

Christina Aguilera - Genie In A Bottle !! DUH

oh! well, HANSON is still kickin' and they are touring, hoping for a world domination in 2013, 15 years and counting! i also love googoodolls!

Not that I ever enjoyed them, but the Soul Asylum's "Runaway Train" and "No Rain" by Blind Melon were played constantly by quasi-"Grunge" wannabes all over the continent. And don't forget all of you who would tried to sing eerily "The world is a Vampire" (Bullet With Butterfly Wings - Smashing Pumpkins).

"I'll Be There For You" by the Rembrandts pretty much sums up everything I despise about mainstream 90s music. Plus Toad the Wet Sprocket and the Gin Blossoms. I hate all that fake "alternative" adult contemporary music.

"In The Blood", Better Than Ezra: Loud, earnest, dramatic in a sort of adolescent way but still great. A side glance into an alternate reality where life was going to be an ongoing episode of "Dawson's Creek"...instead of what real life became for everyone instead. "License to Confuse", Sebadoh: If you were a white guy at pretty much any college in America in the mid-Nineties, this was your theme song. The not-that-underground counterpoint to the likes of Collective Soul. "Teardrop", Massive Attack: Elegiac at the time, somehow prophetic in retrospect. The swan song of a deeply cool but ultimately played-out scene. Obscene degree of overexposure and licensing hasn't killed its beauty. "Gin and Juice", Snoop Dogg: THE essential hip-hop track of the decade. Revered by street kids and frat boys alike.

"Steal My Sunshine" by Len "Praise You" by Fatboy Slim