Much Ado About Nothing
You think affection is best shown in insult form — and you expect a lot from your lover.
The Merchant of Venice
You exaggerate on your taxes.
The Taming of the Shrew
You’re a feminist — or not. It all depends on how you read the ending.
Twelfth Night
You find unisex T-shirts to be very convenient.
King Lear
Your sisters are total bitches.
A Midsummer Night’s Dream
You’re an unabashed romantic and have, at some point in your life, worn glitter.
The Tempest
You have a distinct flair for the dramatic.
Julius Caesar
You tend to sympathize with the villains.
Love’s Labour’s Lost
You think delayed gratification makes the prize all the sweeter.
Cymbeline
You’re a highbrow absurdist.
The Comedy of Errors
You kind of miss the days when nobody had a cell phone.
Macbeth
You have guilt.
Titus Andronicus
You’re a huge Darren Aronofsky fan.
Henry VIII
You like very detailed instructions.
Hamlet
You’re sympathetic to the fate of the high-born slacker with daddy issues.
Measure for Measure
You’re totally into politics.
All’s Well That Ends Well
You tend to get what you want, despite what anyone else says.
As You Like It
You’re a bit outdoorsy, and also probably a snarker.
Romeo and Juliet
You’ve always kind of wished that you and your high school boyfriend made good on that pact to stay together forever.
The Winter’s Tale
You have emotional ADD.
Troilus and Cressida
No one can ever quite figure you out. It’s probably because you’re so much smarter than they are.
Coriolanus
You’ve always seen yourself as a tragic hero in an unfair world.
Othello
Your passions run high.
Richard III
You like everything in life to be epic.
The Henriad
You’re a huge nerd, but people like you anyway.