Flavorwire’s 2013 Primetime Emmy Picks and Predictions

The Primetime Emmy Awards are Friday night, and the broad strokes of the ceremony are pretty easy to guess at: Neil Patrick Harris will charmingly sing and dance, Breaking Bad will win a bunch of stuff, and the whole thing will run about 40 minutes too long. But let’s get into some specific predictions: Flavorwire has carefully considered the nominees, consulted with various prognosticators, and worked up the following list of Emmy predictions that will surely win your betting pool. (Do people do those for the Emmys?) And just for good measure, we’ve thrown in our own picks in each category as well. Here we go:



Breaking Bad
Downton Abbey (PBS)
Game of Thrones (HBO)
Homeland (Showtime)
House of Cards (Netflix)
Mad Men (AMC)

PREDICTION: Breaking Bad. The show’s current ubiquity, as it finishes off its run, can only help its chances come Sunday — and it’s frankly more likely to win this year (with all that chatter surrounding it) than next. Unless they do something truly unforgettable. Which they probably will.
PICK: Breaking Bad. Yes, this might be one of those rare occasions where the Emmy for television’s best drama actually goes to television’s best drama.


Hugh Bonneville (Downton Abbey)
Bryan Cranston (Breaking Bad)
Damian Lewis (Homeland)
Jon Hamm (Mad Men)
Jeff Daniels (The Newsroom)
Kevin Spacey (House of Cards)

PREDICTION: Spacey. The actors’ branch won’t forget Cranston next year, and may very well hold off until then to give him one more for Walter White. No, we’re giving the edge to Spacey here; the Emmys love movie stars and Spacey is the strongest element of the trashy but enjoyable Cards. And his prize is the best way to acknowledge the show (and upstart Netflix) without going overboard.
PICK: Hamm, who has somehow never won an Emmy for playing Don Draper. And whatever flaws you found with the show this year, his work on it was magnificent — pushing deeper into the troubled psyche and always right on the edge of letting you know what he’s thinking (but rarely crossing it).



Connie Britton (Nashville)
Claire Danes (Homeland)
Michelle Dockery (Downton Abbey)
Vera Farmiga (Bates Motel)
Elisabeth Moss (Mad Men)
Kerry Washington (Scandal)
Robin Wright (House of Cards)

PREDICTION: Danes. Carrie Mathison is the kind of showy role that most actors will give their eye-teeth for, and the former Angela Chase continues to impress.
PICK: Moss. She’s so quietly effective as Peggy Olson that it’s easy to underestimate her value to Mad Men. But her exit from Sterling Cooper clearly affected the show, and her aborted affair with Ted gave Moss some fascinating beats to play this year.


Jonathan Banks (Breaking Bad)
Bobby Cannavale
(Boardwalk Empire)
Jim Carter (Downton Abbey)
Peter Dinklage (Game of Thrones)
Mandy Patinkin (Homeland)
Aaron Paul
(Breaking Bad)

PREDICTION: Expect Paul to three-peat — he’s doing amazing work on the show and is universally beloved off-screen.
PICK: Banks, a veteran character actor who transformed a no-nonsense utility role into one of Bad’s most fascinating enigmas.


Morena Baccarin (Homeland)
Christine Baranski (The Good Wife)
Emilia Clarke
(Game of Thrones
Anna Gunn (Breaking Bad)
Christina Hendricks
(Mad Men)
Maggie Smith
(Downton Abbey)

PREDICTION: Gunn. People have been whispering “Emmy” since Skylar took that quiet, spooky stroll into the pool last season; she’ll probably also get points for her classy handling of the increasingly loud and disturbing online chatter about her character.
PICK: Gunn, for brilliantly bringing Bad’s most complex character to life.



American Horror Story: Asylum (FX)
Behind the Candelabra (HBO)
The Bible (History)
Phil Spector (HBO)
Political Animals (USA)
Top of the Lake (Sundance Channel)

PREDICTION: Behind the Candelabra. Big-name director going out at the top of his game, high-profile stars playing against type, impressive production design, witty screenplay; it’s hard to imagine how Soderbergh’s Liberace biopic doesn’t take the prize.
PICK: Top of the Lake. Jane Campion’s haunting procedural may have been too challenging and idiosyncratic for Emmy voters, but it was far and away the highlight of this category.