With the novelty factor removed, what’s left here? Peirce seems to be a director capable of putting a fresh spin on even this worked-over material, but judging by how much of the movie has already been revealed, that doesn’t seem to be the case. Moretz and Moore are presumably great, but that’s no news flash. Maybe the film will do well, a horror entry taking advantage of a strangely barren Halloween-season marketplace, or benefiting from a viral video that represents the current rehash’s only fresh contribution to the material. But otherwise, this new Carrie looks like a tired bar band doing a cover of a song that no one ever wants to hear again.