Swift and Antonoff recording in Lena Dunham’s living room for the first time. (via Dunham’s Instagram)
“I used a Yamaha DX7 a lot on that song, which is so uniquely ’80s, but then countered it with a super-distorted Minimoog Voyager in the chorus,” Antonoff told USA Today. “That sounds extremely modern to me. It’s that back-and-forth.”
For Swift, it seems the “big” musical feeling was an attempt to echo her emotions (the repetitive chorus helps with this). In a quick video interview about the song on her YouTube channel, Swift explains what she was trying to do on “Out of the Woods” without recalling any specific musical reference points:
I wanted to make sure that these songs sounded exactly the way that the emotions felt, when I felt them. This song is about the fragility and kid of breakable nature of some relationships. This was a relationship where I was kind of living day to day, wondering where it was going, if it was going to go anywhere, if it’s going to end the next day. It was a relationship where you kind of never feel like you’re standing on solid ground. And that kind of a feeling beings on excitement but also extreme anxiety, and kind of a frantic feeling of wondering — endless questions. This song sounds exactly like that frantic feeling of anxiety and questioning, but it stresses that even if a relationship is breakable and fragile and full of anxiety, it doesn’t mean that it isn’t worthwhile, exciting, beautiful, and all the things that we look for.
I’m reminded of the remix Swift premiered of her 2008 Top 5 single, “Love Story,” on analog synth at September’s iHeartRadio Fest, which fell somewhere between M83’s romanticism and One Republic’s slow-motion “whoa-ohs.” Instead of being a happily-ever-after reimagining of Romeo and Juliet penned by a 19-year-old girl, “Love Story” took on a lost-for-the-ages whist with this new treatment. It also showed Swift’s commitment to her “new” declared pop direction, with all the song’s country traces removed. Overall, it was a great way for Swift to bridge her past with her future while still standing her ground, as if to say, “You can’t ignore where I’m headed.” And by the sound of “Out of the Woods,” I don’t think we’d want to.