If that album was a rare instance of Harvey navigating the awkward positioning of trying to look at her own work through a lens, her new LP, the Hope Six Demolition Project, sees the artist candidly displaying the struggle of trying to do the same with experiences that are wholly external to her own, just as aware of the lenses we point outward as inward, explicitly exposing all the clumsiness the process of so doing can entail. It’s easy to get frustrated by the shortcomings and reductions of this sonically stunning album; but the album’s equally frustrated with itself.