Maybe that explains the use of an old wig, because the look was just so quickly put together? This is great insight into the way Hollywood outfits its stars, as apparently when a new film is announced, and an actress is cast, a wardrobe person is sent into the Wig Warehouse to select a wig off of the wig shelves, which are ever-growing in number but never wiped clean, and so decades and decades of film’s wigs find homes there, where they’re dusted and spritzed by eager production assistants, who, perhaps in a fit of nostalgic longing, sometimes place the wigs upon their heads and snap a quick selfie or two, maybe just for Snapchat, that medium’s ephemeral nature reassuring to the young film buff whose career is, at the moment, so fragile and at the whims of potentially angry producers.
Maybe that explains it. Or maybe Garry Marshall just really loves Notting Hill?