The Ox-Bow Incident : Fourteen years before 12 Angry Men, Henry Fonda starred in this first-rate William A. Wellman Western that plays, in retrospect, like a prequel – a courtroom drama, albeit one set around a Nevada campfire. Tightly composed and ruthlessly efficient (it runs a mere 75 minutes, and makes every one of ‘em count), this story of a rope-twirling posse hunting down the supposed killers of a local rancher turns into a nuanced – and far from dated – psychological snapshot of mob mentality and revenge-thirsty frontier “justice” (“The law’s slow and careless around here sometimes,” sneers one of its practitioners, “We’re here to see it speeded up.”) What begins as a hunt turns into a test of character during an uneasy overnight stay of execution, and Wellman puts across the tension and pressure of the terrifying scene via powerful compositions and a remarkable clarity of action and reaction. A mini-masterpiece. (Includes audio commentary, Fonda documentary, restoration featurette, and theatrical trailer.)
Yellow Sky : Five years after Ox-Bow, Wellman reteamed with writer/producer Lamar Trotti for another thoughtful Western (and an early bar scene is filled with echoes of Ox-Bow, in cast, location, and dialogue). They cooked up this ingenious frontier riff on The Tempest, in which a group of bank robbers headed by Gregory Peck find themselves in a desert oasis run by a wise old man and his spirited granddaughter. As with the earlier picture, Wellman excels at creating situations of tension and uneasiness, and while the rape-y overtones of the narrative are unsettling, the knockout photography, haunting use of sound (particularly in the grim closing scenes), and crisp gunfights are terrific. (Features audio commentary and trailers.)