ON BLU-RAY / FILMSTRUCK
Hopscotch : If the notion of Walter Matthau as James Bond makes you grin – and seriously, if not, have you no soul? – then you’ll find this 1980 action/comedy (newly upgraded to Blu-ray by Criterion) irresistible. Matthau plays a CIA lifer who’s busted down to desk duty by his Napoleonic new boss (an inventively profane Ned Beatty), and decides to instead write a tell-all book, leading the CIA, the FBI, and the KGB on a merry chase to mow him down before he can spill all their secrets. Screenwriter Brian Garfield (adapting his novel) gave himself the challenge of writing a thriller where his hero never fires a weapon, and the film bristles with the inventiveness required by those guidelines (the way he lures his foes into a shoot-out is particularly ingenious). Matthau is wonderfully Matthau, hangdog yet crisply funny, and his chemistry with Glenda Jackson (with whom he’d co-starred previously in the delightful House Calls) is downright charming. (Includes archival interviews, vintage Matthau TV appearance, trailer, teaser, and broadcast-friendly audio track.) (Also streaming on FilmStruck.)
Meantime : This 1984 British telefilm was a breakthrough for not only its cast – which includes Tim Roth, Gary Oldman, and Alfred Molina, all impossibly young-looking – but director Mike Leigh, working in a vivid mode of Thatcher-era kitchen-sink realism. His subjects are average looking people in bland clothes, inhabiting drab flats (and occasionally keeping dirty secrets), and the film is less about what happens to them than the pride, desperation, and disappointment that drives them; like much of his work, it dramatizes people who have been simmering for years, and finally boil over. Oldman’s is the showiest performance, burning with menace as a provocative skinhead, but Roth is most affecting – in how he does so little, yet by the end of the film, is telling us everything. (Includes new conversations and archival interview.) (Also streaming on FilmStruck.)
ON BLU-RAY
The Good, the Bad, and the Ugly : Sergio Leone’s 1966 Spaghetti Western masterpiece – re-released on Blu-ray in a 50th anniversary edition, with a new 4K restoration – opens with a giant face filling the screen, and then cuts to a vast, wide, dusty landscape. That’s the Leone aesthetic, in two shots, and the rest of the movie (which runs three hours in its superior director’s cut, also included here) is as elegantly simple: it introduces the three characters (played, respectively, by Clint Eastwood, Lee Van Cleef, and Eli Wallach), pits them against each other on the trail of $200,000 in Confederate gold, and waits for the fireworks. (The Civil War element, less than common in Westerns of this period, is one of the film’s clearest influences on Quentin Tarantino’s Django Unchained .) Names notwithstanding, none of these men have any particular loyalty to anyone but themselves, which keeps things hopping right up and into its legendary closing sequence, in which Leone pulls their itchy final standoff out like taffy, as long as he can, and then longer, and then longer still. The film is tense, sweaty, bloody, and brutal, yet strangely beautiful – finding visual poetry in its fly-swarmed dustiness – and funny, both in its touches of slapstick comedy and the laughs Leone mines from its performative cool. Fifty years on, this is still one helluva movie. (Includes theatrical and director’s cuts, audio commentaries, featurettes, deleted scenes, vignettes, and trailers.)
Night Moves : Director Arthur Penn’s 1975 masterpiece – new on Blu from Warner Archives – does for the private-eye movie what his Bonnie and Clyde did for the gangster flick, infusing the well-worn genre with a modern sensibility, and providing a peerless showcase for his gifted star. Bonnie co-star Gene Hackman is wonderfully weary as a P.I. whose seemingly simple missing-teenager case is complicated not only by his deceitful clients and witnesses, but the rapid dissolution of his ostensibly stable marriage. It’s a cracklingly good mystery, but so much more; this is a character study of uncommon sensitivity and precision, dramatized by an actor who was always best when he had something to hide. (Includes vintage featurette and theatrical trailer.)
Duel in the Sun : This 1946 effort from super-producer David O. Selznick is something of a junior remake of his smash Gone With The Wind – concerning, as it does, the passions and tribulations of a wealthy family – but with the tropes of the Western, including cowboys, Indians, horses, and saloon duels. He puts together a hell of a cast, with Joseph Cotten doing his solemn good-man routine, Gregory Peck playing against (what came to be) type as a real SOB, and Jennifer Jones – then Selznick’s wife – fierce and fearless as the object of their desire. It’s all lusty and silly and gorgeously mounted, impressive in its scope and beautiful to look at (the color saturation on this new Blu-ray from KL Studio Classics is a knock-out), and if it’s a bit of a mess, well, it’s certainly never boring. (Includes “roadshow” musical breaks, audio commentary, interviews, and trailers.)