Flavorwire’s Guide to Indie Movies You Need to See in August

Our reviews of ten must-see movies, including 'Madeline's Madeline,' 'The Miseducation of Cameron Post,' and 'Nico, 1988.'

Hey there, are you tired of summer yet? Ready to be done with the endless parade of sequels and explosions and sequels to movies about explosions? Well, good news: this month’s indie slate is packed, with exactly the kind of personal dramas, character comedies, and informative documentaries your summer brain is starving for. Here are the stand-outs; mark up your calendars accordingly.

Nico, 1988

DIRECTOR: Susanna Nicchiarelli
CAST: Trine Dyrholm. John Gordon Sinclair, Anamaria Marinca

“Look, my life started after the experience with the Velvet Underground,” she insists. “I’d rather we talked about the present.” It’s a refrain, in interview after interview, for Nico (Dyrholm), and to writer/director Susanna Nicchiarelli’s credit, she does what Nico asks – focusing on the last two years of the experimental songstress’s life, a portrait of an icon’s twilight. In doing so, she captures the grind of a faded musician’s grind of road life: cars, interviews, and gigs, running of the fumes of one’s former fame. Dyrholm is extraordinary in the leading role, utterly credible; she carries off both the enigma and the history, much of which is carried in her eyes. Those eyes have seen things. (She also does the singing herself, and quite convincingly.) Nicchiarelli is less successful at filling in the secondary characters in Nico’s band, and we’re never that interested in them anyway; our focus is on Nico, and 1988 is as wary and lived-in as its subject.