Last night at midnight, my film played for its very first audience at the Egyptian. In my wildest fantasies, I couldn’t have made up a better way to show this film: midnight on the first night of Sundance, at the Egyptian, in front of a fantastic horror film (we’re paired with Grace), surrounded by friends. I still can’t get over that the first film I ever directed and took on the festival circuit is playing at Sundance. Everyone kept asking me if I was nervous, but I’ll tell you, it was more like a reunion than some kind of test or whatever I might have expected.
We had a huge group of people in the audience who were there specifically to support Rite, including actors Tabitha Morella and David Bickford, producer Aaron Goldstein, composer Kays Alatrakchi, and of course, my husband/associate producer/editor Ben Rock, along with a bunch of good friends. It was also coincidence time, because my friend Brandy Davis happened to be the volunteer working at the Egyptian, so she got to see the film. I even ran into an old co-worker from ten years ago!
There was a minor hiccup when the film started playing without audio, but it was quickly fixed, and interestingly enough, I got a lot of compliments about how the film held its own, even without sound — the audience initially thought it was intentionally silent, and they watched in rapt attention, without a cough or a noise. That was kind of neat to see. Just like making a movie: you have to embrace the accidents.
This morning, I’m typing right now from the Cafe and Lounge at Headquarters at the Marriott, and I’m about to get on the bus to go to the Sundance Resort for the Directors’ Brunch. This is the event — other than my screenings, of course — that I’ve been most looking forward to. Is it wrong that I’m thinking about the food? But mostly, I’m SO excited to meet the other filmmakers.
Oh! Highlight of my morning: I ran into Bill Plympton, who I had the pleasure to meet years ago when he created the artwork for the Florida Film Festival. I don’t really know him or anything, but he was perfectly lovely to chat with and even made a little drawing for me on his postcard! I’m sad that I probably won’t have a chance to catch his film, but I’m hoping I’ll have a chance another time. He asked for a copy of mine, which I found very flattering (don’t worry, Kays! I gave him the soundtrack, too!).





Comments (6)
Alicia, I am so proud of you and so excited for your success. I just can't believe that someone I knew way back when in a small town in Ohio has done so much and done so well. I truly believe this is just the beginning for you. Way to go!
This is SO exciting, and I am so excited to have been a part of it all. It is fun to see that sliver of myself in the photo on the blog. I hope you continue to enjoy each and every screening.
Hey, ALicia! Congrats on Sundance! Wish I could be there!
Alicia you rock! So proud of you and your film. I might try to come out end of the week.
Congratulations on the premiere, Alicia! And for keeping your cool with the initial sound problems… I would have freaked! I wonder if the colleague from 10 years ago was an LAIFF person… :-)
No, it was a co-worker from USC's Cinema School, but I did run into Emily Johnson at a party, who volunteered for LAIFF the year I was there – I'm sure you probably remember her. But thanks for the kudos. I'm not sure how much of my "cool" I kept, in reality – most of the coolness was after the fact… I met a theatre ops volunteer a few days later and he said, "I'm the one you yelled at to turn off the movie." Ouch. (I apologized, for the record).
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